Ladies of Horror Flash Project – #Horror #author Nina D’Arcangela @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

The Garden
by Nina D’Arcangela

O’, ye who hath brought this shine among us. Thou knoweth the succulent ones are forbidden. You have stolen God’s gift by plucking it most properly ripe. Juices flow still, skin cracks crisp, the crunch of thine teeth an offense to all. Forbidden is this act, yet you choose to stand outside this congress. For this, damned ye shall be. Six sons born of six fathers the fall has taken place, only from its decayed issue do we sup. But ye, ye has broken our covenant. Selfish fingers do not paint His intent, they do not offer rectitude in this place of putrescence and rot.  

For having offended so, ye shall be hangëd by thine neck eight times, drawn, and spread amongst His indulgent slop. We shall ingest your offal as it sloughs to the already tinged loam.

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More from Nina D’Arcangela:

Bent Metal

Where does reality end and dreamscape begin?

Woken each night by the sounds of screams and twisting metal, Lauren must relive the panic and fear of discovering her brother’s broken body on the asphalt. But each morning, she finds it’s only a dream… One she doesn’t want to keep having.

At what point does a dream become a nightmare, and a nightmare more than a figment of her subconscious?

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Donna J. W. Munro @DonnaJWMunro @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


My Music Soothes the Sweetest Soul  
by Donna J. W. Munro 

During his long absences I keep myself busy.

I read philosophy. I study things. I’m even able to travel.

All things I wouldn’t have been able to do in my other life.

Death is kind to me.

He doesn’t talk much. I know when he needs me. Something inside draws me back to his bright mansion full of doors that lead to the whole wide world. Full of light I can’t understand.

There are no beds.

No sinks or stoves.

No need.

There is only the chair for him, my piano and all of the doors.

When he is there, he nods at me.

I wish he’d speak, but he saves his words. Perhaps he gives them only to the souls he delivers.

I sit at the piano and begin to play remembering how in Vienna I’d been so well loved. How I’d had a future that stretched from the orphanage all the way to the palace. I’d played for the queen and her ladies when the black spots came. I’d made them weep with sadness at the songs I made up as I played, slow songs of loss. I played my father’s death and my mother’s suicide. The keys wailed for all of the beatings and so did the queen. But under my robes, buboes.

He came for me that night, passing by the room of the queen and the king, coming for me first.

That’s the only time he’d ever spoken.

“Play for me,” he’d said.

And I did.

He took the king and the queen that night. Took most of Vienna. But me, he brought to the mansion. He showed me how to travel. The buboes were gone and so was my life.

But I still have a heart.

So when I play for him, I play the joy of that day he saved me. The notes tell of how I see the world when I go looking. The songs are all about my love for him.

They told me to fear death. I cannot.

I know he doesn’t have time to love me.

But when he comes, I tell him how I feel with my fingers on the keys and sweet phrases in my songs.

.

Fiction © Copyright Donna J. W. Munro
Image courtesy of Pixabay.com
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More from author Donna J. W. Munro:

Revelation: Poppet Cycle Book One

In a dark future, people with money live in doomed cities and use the recently deceased as
repurposed servants and workers called poppets. Ellie DesLoge is the teen heiress of the
company that makes and distributes poppets–your basic reprogrammed flesh robot complete
with training chips and kill switches. If Ellie does everything her Aunt Cordelia says, she’ll have a
life of wealth and power. If she chooses to be what is planned for her, life will be perfect.
Everything she ever dreamed. But something about her sweet poppet Thom goes against what
Aunt Cordelia and tradition have taught her. Will she choose to believe what everyone knows is
true or will she follow what her heart tells her about Thom? Her choice will change the world.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Melissa R. Mendelson @fallenhazel @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

When the Universe Only Knows
by Melissa R. Mendelson

The universe knew what I was walking into,

but I didn’t.

I had no idea

as I opened a door

that I would never be able

to step back out of,

and that door slammed shut.

And that cold breeze

was the universe just sighing

because of everything that would head my way,

but all I saw was an obstacle,

red tape, barbed wire 

blocking me from where I thought I should go.

And when that door did slightly open,

I should have grabbed it and jumped

to the other side,

but I didn’t.

And the horrors came,

and I almost didn’t survive.

Now, I am frozen, 

standing on the dead ground beneath me,

wondering if I would ever find my way again.

Will the universe guide me,

or has it left me behind?

 

.

Fiction © Copyright Melissa R. Mendelson
Image courtesy of Pixabay.com.
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About Author Melissa R. Mendelson:

Melissa R. Mendelson is a horror, science-fiction and dystopian author and poet.  She has two publications with Wild Ink Publishing.  One is a prose poetry collection, This Will Remain With Us, and the other is a short story collection, Stories Written On Covid Walls.  She also self-published a sci-fi novella, Waken and a small short story collection, Name’s Keeper.

If you’d like to learn more about Melissa, you can visit her accounts here: www.MelissaMendelson.com

 
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Ladies of Horror Flash Project – #Horror #author Alyson Faye @AlysonFaye2 @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!



Something Borrowed
by Alyson Faye

The eclipse is coming, the whole village is talking of nothing else. Then there will be the Summoning, then the Choosing, then the Marrying, and then …. Agnes shuts out the thought of what comes after… instead she tilts her face up to the sun, letting it warm her skin, and bending, she strokes the spiky ears of corn.

She whispers her name to the wheat, which ripples in a sudden breeze. The air is heavy with heat, the field stretches away and Agnes thinks of her family waiting to prepare her for the Summoning.

She will be one of three possible Brides offered. She will wear a fine hand-stitched gown, a crown of daisies and cornflowers, her hair will be braided, her lips and cheeks tinted pink, her eyes rimmed with kohl, and she will wait at the edge of the field with the other two Brides, until the hour of the eclipse.

Agnes feels a tremor of fear; this is her fate but not one she has chosen. And even if she flees there is nothing for her out here.

The village is abuzz with folk preparing for the evening’s rituals – women sewing and baking, men smoking pipes, polishing boots and sharpening knives, children playing tag around the fire and the three Brides standing in the midst of the hurly burly being attended to.

Agnes feels several pairs of hands grab her, pulling her into the circle, brushing her long red hair, tugging at her plain tunic, washing her hands and feet all whilst tears prick her eyes and trickle down her cheeks.

‘Now, don’t ye be crying, lassie. That’s a child’s game,’ Nan Bullock, the village midwife, says. ‘Tis an honour to be so chosen.’

Agnes turns on the older woman. ‘Aye, is that so? If you had been pretty when a young lass, Nan Bullock, and not struck ugly at birth, then perhaps you would have been so ‘honoured’. Instead you have reached three score years, and enjoy a happy life. Likely that will not be my fate.’

The older woman’s drops her eyes, and stays silent. Her hands shaking as she sews the bridal gown.

As dusk creeps over the corn fields, and finds its way into the village, the children prance off to bed, the men drink ale, and the women chant and sing.

At ten of the hour the three Brides, accompanied by elders,  process to the corn field. Everyone departs, except for the guards, armed with daggers.

The sky darkens, the moon slides across the face of the sun, and the corn begins to grow restive, and rustle, the ground thrums, and the air fills with the stench of –

Manure mixed with iron … thinks Agnes.

The three Brides hold hands, eyes closed, neither staring up at the sun, nor watching what is approaching through the corn.

However all three feel its approach, its massive size, hear its hooves and the stink of its feral breath sickens them.

One Bride collapses, sobbing, lying prostrate on the ground. A second faints dead away. Only Agnes, seventeen summers old, stays upright. Anger fuels her, and this forces her eyes open.

The air vibrates around her, there’s a buzzing and a thrumming beneath her bare feet, and something gigantic blocks her vision.

I am Korndämonen. I choose you. You will be my mate.

Agnes senses these words, as the demon lowers himself to her, horns outlined against the ashy grey air, breath burning her cheeks, bristly hair scratching her fair skin.

Now, Agnes thinks, it has to be now. Before he carries me away.

The guards, she guesses, have fled already, for no one who faces the demon lived to tell the tale. She is alone. Except for the secret stitched inside her seams. A gift from Nan Bullock, who in her shame, gave her ‘something borrowed’ for her wedding.

Agnes tears at her bridal gown, whilst the demon sniffs her hair, licking her face, bare shoulder and chest. Drool drips down her body.  But her fingers find and grip Nan’s gift.

‘To break the cycle,’ the old woman whispered, ‘I used this on my own wedding night.’ Then she had winked.

Agnes thrusts the fine tempered steel blade into the demon’s scaly chest, straight into its heart, pushing hard, as if hammering a nail into wood.

‘Mirti demonas mirti,’* she whispers, in the tongue of her ancestors.

Dark blood drips onto her white gown, coating her, but worse yet are the creature’ s dying screeches as it thrashes and spasms.

Agnes huddles on the ground watching the eclipse lift, the moonlight revealing rows of silver-tipped corn, and, finally a charred mound – the grave of the demon.

* Die, demon die

Fiction © Copyright Alyson Faye

Image courtesy of Pixabay.com
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More from Alyson Faye:

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The Lost Girl & Spindleshanks

The Lost Girl
A nailed-up door. An inheritance which comes with a ghost. A missing girl. A fifty-year-old mystery. Parapsychologist Berkley Osgood is hired to investigate. What he uncovers reveals secrets the living want to hide and the dead will never forgive.

Spindleshanks
Adam is having nightmares about a skeletal shadow figure, who he calls Spindleshanks. Soon his whole class are sharing the same nightmare. Adam’s dad, Rob, knows that Spindleshanks can’t be real. But is he? One terrible night Rob has to face his son’s nightmare creature and fight for his son’s life. What would you sacrifice to have your child back safe?

“A decent two-for-one. Alyson Faye brings the engaging and eerie in equal measure.” CC Adams – horror / dark fiction author

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Sue Renol @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

A Good Friend to Have
by Sue Renol

You never know when it will come. It could be by day, night, or somewhere in between. You’ll never see it. It will sneak up on you, hiding in your own shadow. It could be the old man walking down the street, or something as simple as a misplaced step.

Either way, it will come eventually.

It doesn’t matter so much how, but when. Will you be ready? Are you prepared? No one ever really is. You pretend to be, but that’s just the face you put on to meet it. That mask is needed. This introduction isn’t one you want to have without it.

You can’t run from this greeting when it decides to arrive. You can’t hide. It will find you no matter where you go. The only choice you have is how you treat this uninvited guest. Will you treat them with kindness and care? Allow them in? Or will you lock your door in vain only for it to have just the right key.

It doesn’t much care how you go about it. It will come, do what it is meant to do, and move on to the next. When your time for a visit is due, nothing can stop this traveler from arriving on your doorstep and walking over the threshold.

So when it comes knocking, you’d do best to just let it in. Make peace with your new friend, it’s the only companion you’ll have on your journey. And if you’re nice enough about it, maybe it will give you a gift. Perhaps something to eat along the way, one last taste of the life you’ll never live again.

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Ladies of Horror Flash Project – #Horror #author Elizabeth H. Smith @bethsmithwrites @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

The Echo of Melody
by Elizabeth H. Smith

She remembered the tune well. Each note rang with familiarity as the progression of the haunting melody went on. She pulled her bathrobe tight as she walked through the dark house, wondering where the sound came from.

She quietly walked down the stairs, not wanting to alert whoever might be in the house. Her heart pounded in her chest. Sweat beaded on her forehead and ran down her nose. She had no weapon, no way to defend herself if things went badly. But the curious song called to her. An irresistible urge had taken hold, and regardless of danger, she was compelled to find the source.

She couldn’t remember where she heard the song before, only that she definitely heard it somewhere. It seemed important, as if it were connected to some event in her life, something that felt like it should have been unforgettable. But she couldn’t recall what it was.

When she reached the bottom of the staircase she halted on the last step and peeked around before stepping off onto the floor. A board creaked as soon as she put her foot down. She held her breath and listened for movement, any indication that the intruder had been alerted. But the song continued playing.

She tiptoed her way to the living room. Inside was a grand piano dominating one corner. She expected to see someone sitting on the bench, running their fingers over the keys. But the seat was empty and the music stopped as soon as she laid eyes on the instrument.

As much as the tune had intrigued her, she couldn’t help but think there was something sinister behind it; maybe the memory it would trigger was something best left forgotten. Maybe there was a reason her mind wiped it away.

That thought brought her to realize there were other things she couldn’t remember, many things. She didn’t know who she was, what she did for a living, not even her own name. The house looked familiar, and she had the feeling it was hers, but no real knowledge of it aside from her gut telling her that was true.

She thought it strange that it took so long for her to realize this, but the music had been so alluring she focused on nothing else. It wasn’t until the house was quiet that her thoughts had a chance to shift elsewhere. With immense effort she tried to pull up some recollection of herself and who she might be, but it was a futile attempt.

She thought maybe she was tired, too exhausted to remember. Or that she was having a lucid dream and the loss of memory was part of it. Both seemed reasonable, innocuous, and safe. That idea calmed her trembling body, set her fear at ease. So she began up the stairs to return to bed.

After only a few steps the music started up again, right where it had left off. The cadence began down a darker path, the notes deeper and harsher. The sad song that drew her in began to thrum with rage and contempt.

She hurried back to the living room, and again, the piano sat unplayed. She stared at it for a while. It appeared so lonely in the unlit room. Soft moonlight seemed to make the ivory glow, and the smooth black surface displayed a slight reflection. She wondered if she played piano. Why else would she have one? Unless it was a complete fantasy within a dream, something that didn’t actually exist outside of her head.

She wished she could remember.

Stepping forward, she walked over to the piano. She sat on the bench and lightly ran her fingers over the keys. An unbroken layer of dust sat atop them; they’d not been touched in some time. She then saw an engraving on the inside of the fallboard—Melody.

Her eyes widened with surprise. “Melody,” she said aloud to herself. “That’s my name.”

She placed her hands over the keys by muscle memory alone and began to play the only tune she remembered. As her nimble fingers pressed away, playing exactly the song that drew her there, Melody’s form began to fade. Her body became ever more translucent as the requiem was played with ghostly hands. As the last note rang out, she dissipated completely, and the house was quiet once again.

.

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More About Elizabeth H. Smith:
Elizabeth H. Smith is a storyteller who writes while trying to keep her cat, Luna off the keyboard. The musical group, Rasputina is her muse. She was born in the state of New York and would never feel at home anywhere else.

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Ladies of Horror Flash Project – #Horror #author Kathleen McCluskey @KathleenMcClus4 @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


The Wire
by Kathleen McCluskey

The old man stood alone before the rusted fence, his cane sinking into the soft, damp earth. Tourists wandered the memorial behind him, speaking in hushed voices. Fifty years had weathered the camp. The guard towers had become exhibits. The barracks had become part of history. Only the barbed wire looked unchanged.

   He removed his leather glove and wrapped his fingers around it. “I came back,” he whispered.

   The wire was cold. Then it tightened, not around his hand but around his memory. The summer of 1944 crashed into him with such force that his knees buckled. Smoke rolled across the camp, carrying that unforgettable scent. He smelled coal, sweat and something far worse that he had spent a lifetime trying to forget.

   He opened his eyes and found the memorial gone.

   The guard tower stood whole again. The barracks were full. Hundreds of prisoners shuffled through the mud in striped uniforms. Their faces were hollow. Their eyes fixed on the ground. Nothing was broken. Nothing was burned. Nothing was preserved, the camp was exactly how he remembered it.

   “No,” the old man breathed. “This can’t be real.”

   He released the wire but the vision did not end. His cane had vanished. His expensive coat had become the gray wool of an SS officer. His hands were young again, free of wrinkles and liver spots. 

   He turned toward the gate. It stood open, revealing the road he had walked for three years. Someone was approaching. At first he thought it was another guard, but then he saw the stripes.

   Children.

   Dozens of them walked in perfect silence. Some held hands. Others carried ragdolls missing their button eyes. Their shaved heads caught the pale morning light as they stopped a few feet away.

   He recognized every face. Not their names, he never cared to learn those.

   “I…I didn’t choose who…” he said, his voice shaking.

   They didn’t answer.

   Instead, the little girl in the front slowly lifted one finger and pointed toward the railroad tracks. The other parted without a sound, their black eyes never leaving him. A whistle pierced the air before another answered farther down the line. Steel screamed against steel as a freight train emerged from the mist. Its wheels ground over the rails with dreadful familiarity. One boxcar became ten, became twenty, then more than he could count. 

   Tiny fists hammered against the walls. Mothers begged for water until their voices broke. Men shouted promises that they couldn’t possibly keep while children cried in frightened confusion. He had spent his lifetime convincing himself that those sounds had faded with time. They hadn’t. They had only been awaiting his return.

   The first boxcar shuddered to a halt, its heavy door sliding open with a metal groan. Families spilled out onto the platform carrying battered suitcases and blankets, each face etched with fear and exhaustion. Mothers cradled sleeping infants while fathers held trembling children by the hand. They followed the path toward the low concrete building, disappearing behind the steel doors of the gas chamber.

   The doors slammed shut.

   For a moment there was only silence, then the pounding began. Thousands of fists hammered the steel doors from within as screams erupted through the walls, rising into one terrible chorus that drowned out the whistles and the barking dogs. The sound continued until it ended all at once, leaving the camp with a deafening silence that smothered his ears.

   Across the yard, the crematorium awakened.

   Black smoke belched out of the stack, covering him in soot and ash.

   Its great iron doors creaked open on their own, revealing not brick furnaces but an abyss alive with fire. Flames climbed from impossible depths, casting a red glow across the camp. The heat struck his face though he stood yards away, carrying with it the unmistakable stench of burning human flesh.

   A voice rolled from the flames, deep enough to shake the ground. “You delivered them to death.”

   “I…I was following orders.”

   The fire surged higher. “Orders? Orders?” The voice bellowed. “Now, they deliver you.”

   The children slowly stepped aside.

   Beyond the crematorium door there were no ovens. No chimneys, no walls. There was only the endless black landscape enclosed by towering barbed wire. Silent figures shuffled beyond the fence. None reached for him. None spoke. They simply watched as the flames parted across the threshold, leaving him only one path.

   The trains had brought them here.

   The crematorium would take him the rest of the way.

Fiction © Copyright Kathleen McCluskey
Image courtesy of Pixabay.com 
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More from Kathleen McCluskey:

The Long Fall: Book 1: The Inception of Horror

Lucifer always cunning and intelligent challenges father to a battle of wits. Being the angel of light he casts a judgemental eye upon mankind. He begins a war with his fellow archangels and God. Michael, along with his siblings defend their home and mankind from their deranged brother. Broad swords and hand to hand combat drench heaven in blood. The four apocalyptic steeds are released, each having their own destructive power. Betrayal and lust are at biblical levels. Understand the very creation of evil and the consequenses that transpire in the first of THE LONG FALL series.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Rie Sheridan Rose @RieSheridanRose @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

A Mother’s Pain 
by Rie Sheridan Rose

‘Tis the time of year that I detest…

That some mistake as time for rest.

When Spring’s bright flowers

And Summer’s gay bowers

Both give way to Autumn’s showers.

I run my hand along the earth

From whence I earlier gave birth

To field and fruit, to grain and life

And end all green with bitter strife.

My brother sits upon his throne,

Deep below, where darkness owns…

And by his side—

Reluctant bride—

My daughter trapped by flesh and bone.

So, now the world is cold and gray.

And so will remain for many a day.

Hades brought this on you all,

When greedy eyes he caused to fall

On my Persephone, beauteous dove,

And forced her to be slave to love.

The Earth now wears this mother’s pain,

Until she comes above again…

.

Fiction © Copyright Rie Sheridan Rose
Image courtesy of
Pixabay.com
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More from Author Rie Sheridan Rose:

519RiHK+1wL._SX331_BO1,204,203,200_

Overheard in Hell:
Dark Poetry

Poems exploring hell and damnation. Tales of sorrow, vengeance, betrayal, and redemption. Ghosts, ghouls, and demons stalk these pages. Don’t read in a lonely house…in a darkened room by a single candle…

…unless you like the touch of an icy finger up your spine.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Elaine Pascale @DocLaney @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Waldorf Salad 
by Elaine Pascale

Darla was always asked to bring Waldorf salad. It had been a staple growing up and it had been bequeathed to her, just as dessert had been awarded to Suzie. Just once, Darla wanted to wow everyone with a truffle or a seven-layer cake. No one was wowed by a salad.

Even a Waldorf salad.

She began peeling the apples. Ribbons of red fell away to reveal the white meat beneath. She had just been ruminating on how her body was the opposite—white on top and red beneath—when her hand slipped and the peeler mowed over her index finger. She stopped and looked at the symmetrical slices she had made in her flesh.

Blood appeared, but it was not red. It was the sugary, fluffy pink of the cotton candy she used to beg her parents for at the county fair. She brought her finger closer to her face. It smelled like the icing on the cupcakes that had been served at her tenth birthday party. Tentatively, she touched her tongue to the cuts. She tasted otherworldly. Moreover, sucking on her finger made all of her anger and anxiety melt away. She no longer cared that she was staring down the barrel of a Thanksgiving family gathering or that Suzie would be the center of attention while she was the recipient of passive aggressive remarks.

She had never felt so calm; her brain had never been so quiet.

I’m magical, she thought, I’m made of sugar and spice and everything nice.

The Waldorf salad came out as all Waldorf salads do and Darla spent the time remaining (before having to get in her car and fight traffic) making small slices in her arms and hands and sucking the elixir to maintain her serenity.

The contentment did not last as she crossed the threshold of her parents’ home. They had apparently decided to have an ugly sweater contest but had neglected to inform her. They were also celebrating Suzie’s promotion and new condo; Darla had known about neither.

“I’ll just put the salad…” Darla didn’t finish her statement as no one was paying attention to her. She went into the kitchen and placed the salad on the counter. A large carving knife had been laid out in preparation for slicing into the turkey later. Darla slid the knife across her palm and sucked down the pink blood that appeared.

It didn’t hit like it had before. She needed something stronger to survive a holiday in her parents’ home. Something so perfect, so infallible…

“You hiding in here?” Suzie chastised as she came into the kitchen to open a bottle of wine. She clumsily struggled with the corkscrew. “I’m no good at this.”

“You’re amazing at everything,” Darla whispered.

“Ugh,” Suzie grunted, pulling the corkscrew out lopsided and dragging it across the hand that was clutching the bottle. A small dot of purple blood appeared; royal purple like the blueberry ice cream and purple velvet cake that had been relegated to special celebration status. Darla had only once tasted the cake and that had been when her aunt had finally gotten engaged at the ripe old age of forty-five.

“What a mess,” Suzie said, grabbing a napkin to dab at the tiny puncture wound. She dropped the napkin onto the counter and Darla quickly snatched it. She pressed it to her nose and was immediately delivered from past traumas to soothing peace. As her blood was no longer working for her, she craved Suzie’s.

“If I’m magical, you must be God-like,” she sighed.

Darla heard her mother scream as she found her daughters in the kitchen. Darla was sucking on her sister’s neck while clutching a bloody knife.

.

Fiction © Copyright Elaine Pascale
Image courtesy of Pixaby.com
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More from Elaine Pascale:

TheKitchenWitches_ElainePascale

The Kitchen Witches

The women of Cape Cod have a story that is dying to be told. If only they could live long enough to tell it.

When Fiona Walker is contracted to write about a party attended by her social circle, her friends begin dying. She captures the competition and misery of the women around her through three different stories.

In Wishes, Melanie Voss discovers a Time Between Time where nothing that happens counts. Initially, Time Between Time is a welcome escape from a life spent watching the clock while doing chores for her family. But something sinister is in the Time Between Time and it is headed straight for Melanie.

Death and Taxes tells the story of Nashville DeCota, the Cape Capo. Nash swears that she is not the Island Impaler, nor the Tooth Snatcher, but she has just as many skeletons in her closet. When her husband, Derrick, is kidnapped, she has to come clean about her crimes if she ever wants to see him again.

Fiona tells her own story in Hazing, where she finds that the real source of evil behind the deaths of her friends is worse than she could have ever imagined.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Scarlett R. Algee @ScarlettRAlgee @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

The Names
by Scarlett R. Algee

The night after Dad’s funeral, I notice the tree.

The cancer took him hard, and I’ve got more than a little whiskey in me now—had to, to get through that—and I find myself standing in the front yard beneath that scraggy old oak. My rope swing from second grade still hangs from one thick branch, the strands soft with rot and swaying in the slightest breeze.

Dad had carved his initials into the trunk of the oak when he was twelve, right at the midpoint. I barely have to search for them; there’s a streetlight across the way that burns yellow bright enough to light up half the neighborhood.

JRC, right below a knot in the wood the size of my fist. I trace the letters with my fingers—they feel almost organic, like cracks in the bark rather than cuts made with an old Army knife. Smoothed. Old, I guess.

But my fingers touch other lines, and I look down.

7-19-25.

That’s yesterday. The day of his funeral. I pull my hand back and jam it into my pocket and frown. The date has that same almost greasy smoothness, like it’s natural rather than manmade, but I wonder what local sicko had decided it would be funny to add that to Dad’s initials.

But there are other initials, other names…and other numbers. 

I walk around the trunk and squint upward in the yellow light. Grandpa’s initials are here too, Dad had said, and after a moment I find them, coarse and square: PDC. 

And beside them, on the smallish side, 12-31-90.

Heart attack. New Year’s Eve. I’d been five years old. 

The lettering is identical to Grandpa’s work, the same blocky bluntness. I can’t reach it, but I think that if I could, if I touched it, the sensation would be the same, like touching glass worn silky with age.

I start to step away, but my attention’s caught.

Eric Coates, a quarter of the way around the trunk. 4-14-02. Eric, my best friend for twelve years of school, until the motorcycle accident. I can still hear Mom’s voice: I’m so sorry, Ricky.

Whoever did this has had time on their hands to make an effort, to make their carvings look organic. I kick at the oak’s trunk and stumble, catch myself on a branch and push upright again. Maybe it’s just being drunk and sad and sleep-deprived, but all I want right now is a chainsaw to cut this damned thing down—

And suddenly I remember being nineteen, and Dad pushing that old Army knife into my hand. 

Steady hand, Rick, he’d said.

That was twenty-one years ago. No wonder I’d forgotten.

I walk a little further along the huge trunk until I spot a crack in the sidewalk and drop into a crouch. I’d picked a difficult spot, and some kind of vegetation has wedged itself up into a breach in the bark. I tear and pull and scrabble with my fingernails until I clear a space the size of my palm, and there I am. 

RDC. I’d managed to do it in cursive, give it a little flourish. I reach to run my fingers over it—

And I feel other lines beneath the green overgrowth. Smooth. Swooping. Another little flourish.

My heart squirms uneasily in my throat. I take one breath, two, too hard, and reach for my car keys. A metal edge scrapes off the green.

7-21-25.

My calves give out, and I hit my knees.

I look at my watch. My chest heaves.

It’s 11:59.

Fiction © Copyright Scarlett R. Algee
Image © Copyright Rie Sheridan Rose
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More from author Scarlett R. Algee:

The Lift: Nine Stories of Transformation, Volume One

The hall is dark and the overhead light flickers. Sounds echo, and there’s a creaking and clanging that gets louder as you stand in the semi-dark. The elevator opens and you’re offered a ride. Step inside and ride it to the story chosen for your transformation. Don’t be afraid, for Victoria, the mysterious girl who operates The Lift, waits to guide you. Set in the same world as the award nominated audio drama, The Lift’s first written anthology features nine all new stories by fan favorite writers and special bonus content by creators Daniel Foytik and Cynthia Lowman. The collection is brought to life with beautiful illustrations by Jeanette Andromeda for each story.

Available on Amazon!

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