The Ladies of Horror
Picture-Prompt Writing Challenge!
Something Borrowed
by Alyson Faye
The eclipse is coming, the whole village is talking of nothing else. Then there will be the Summoning, then the Choosing, then the Marrying, and then …. Agnes shuts out the thought of what comes after… instead she tilts her face up to the sun, letting it warm her skin, and bending, she strokes the spiky ears of corn.
She whispers her name to the wheat, which ripples in a sudden breeze. The air is heavy with heat, the field stretches away and Agnes thinks of her family waiting to prepare her for the Summoning.
She will be one of three possible Brides offered. She will wear a fine hand-stitched gown, a crown of daisies and cornflowers, her hair will be braided, her lips and cheeks tinted pink, her eyes rimmed with kohl, and she will wait at the edge of the field with the other two Brides, until the hour of the eclipse.
Agnes feels a tremor of fear; this is her fate but not one she has chosen. And even if she flees there is nothing for her out here.
The village is abuzz with folk preparing for the evening’s rituals – women sewing and baking, men smoking pipes, polishing boots and sharpening knives, children playing tag around the fire and the three Brides standing in the midst of the hurly burly being attended to.
Agnes feels several pairs of hands grab her, pulling her into the circle, brushing her long red hair, tugging at her plain tunic, washing her hands and feet all whilst tears prick her eyes and trickle down her cheeks.
‘Now, don’t ye be crying, lassie. That’s a child’s game,’ Nan Bullock, the village midwife, says. ‘Tis an honour to be so chosen.’
Agnes turns on the older woman. ‘Aye, is that so? If you had been pretty when a young lass, Nan Bullock, and not struck ugly at birth, then perhaps you would have been so ‘honoured’. Instead you have reached three score years, and enjoy a happy life. Likely that will not be my fate.’
The older woman’s drops her eyes, and stays silent. Her hands shaking as she sews the bridal gown.
As dusk creeps over the corn fields, and finds its way into the village, the children prance off to bed, the men drink ale, and the women chant and sing.
At ten of the hour the three Brides, accompanied by elders, process to the corn field. Everyone departs, except for the guards, armed with daggers.
The sky darkens, the moon slides across the face of the sun, and the corn begins to grow restive, and rustle, the ground thrums, and the air fills with the stench of –
Manure mixed with iron … thinks Agnes.
The three Brides hold hands, eyes closed, neither staring up at the sun, nor watching what is approaching through the corn.
However all three feel its approach, its massive size, hear its hooves and the stink of its feral breath sickens them.
One Bride collapses, sobbing, lying prostrate on the ground. A second faints dead away. Only Agnes, seventeen summers old, stays upright. Anger fuels her, and this forces her eyes open.
The air vibrates around her, there’s a buzzing and a thrumming beneath her bare feet, and something gigantic blocks her vision.
I am Korndämonen. I choose you. You will be my mate.
Agnes senses these words, as the demon lowers himself to her, horns outlined against the ashy grey air, breath burning her cheeks, bristly hair scratching her fair skin.
Now, Agnes thinks, it has to be now. Before he carries me away.
The guards, she guesses, have fled already, for no one who faces the demon lived to tell the tale. She is alone. Except for the secret stitched inside her seams. A gift from Nan Bullock, who in her shame, gave her ‘something borrowed’ for her wedding.
Agnes tears at her bridal gown, whilst the demon sniffs her hair, licking her face, bare shoulder and chest. Drool drips down her body. But her fingers find and grip Nan’s gift.
‘To break the cycle,’ the old woman whispered, ‘I used this on my own wedding night.’ Then she had winked.
Agnes thrusts the fine tempered steel blade into the demon’s scaly chest, straight into its heart, pushing hard, as if hammering a nail into wood.
‘Mirti demonas mirti,’* she whispers, in the tongue of her ancestors.
Dark blood drips onto her white gown, coating her, but worse yet are the creature’ s dying screeches as it thrashes and spasms.
Agnes huddles on the ground watching the eclipse lift, the moonlight revealing rows of silver-tipped corn, and, finally a charred mound – the grave of the demon.
* Die, demon die
Fiction © Copyright Alyson Faye
Image courtesy of Pixabay.com
More from Alyson Faye:

The Lost Girl & Spindleshanks
The Lost Girl
A nailed-up door. An inheritance which comes with a ghost. A missing girl. A fifty-year-old mystery. Parapsychologist Berkley Osgood is hired to investigate. What he uncovers reveals secrets the living want to hide and the dead will never forgive.
Spindleshanks
Adam is having nightmares about a skeletal shadow figure, who he calls Spindleshanks. Soon his whole class are sharing the same nightmare. Adam’s dad, Rob, knows that Spindleshanks can’t be real. But is he? One terrible night Rob has to face his son’s nightmare creature and fight for his son’s life. What would you sacrifice to have your child back safe?
“A decent two-for-one. Alyson Faye brings the engaging and eerie in equal measure.” CC Adams – horror / dark fiction author
























