Ladies of Horror Flash Project – #Horror #author Elaine Pascale @DocLaney @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Trembling  
by Elaine Pascale

The myriapodologists found the carcass of Diplopoda far from its native terrain. Tests uncovered that the decomposer’s composition was matchless.

Dr. Musgrave withdrew hemolymph from the millipede and determined that its makeup was unlike any other they had on file.

Dr. Stone sent samples of the blood to CODIS and studied some of the compounds in the laboratory at her research university.

It wasn’t until their colleague, a medievalist, was expounding over coffee that they were able to trace the pathway to the ancient origin of the blood.

Once they moved from disbelief to conclusive confirmation, the scientists returned to the medievalist for his validation.

“Belief in magic was prevalent during the Middle Ages, even though we don’t associate that time period with witch hunts,” he explained. “Science and magic were separated by the thinnest of lines and what we might consider homeopathy today was accused of being ‘magic’ then.”

The researchers were pleased that they were dating their findings correctly, but they still had difficulty wrapping their heads around what they had found. Dr. Stone asked, “Can you tell us about Marabecca of Circe?”

The medievalist nodded. “Accusations could also be made for political reasons. Marabecca was convicted of trying to poison King Ekbert. She had crafted a lethal bolus of hemlock, nightshade, foxglove, and oleander which she hid in a secret compartment behind the jewel in her ring.

“One of Ekbert’s men caught her before she was able to deliver the poison and she was sentenced to a cruel death.

“The hand wearing the ring was burned off with an iron, flesh was whipped free from her limbs, her heart was torn from her bosom and flung in her face, and then she was burned at the stake. Rumor was she was still alive as the flames licked her body.”

The scientists thanked their colleague for his time and returned to their lab to inspect the Diplopoda once more.

“Poor Marabecca,” Dr. Stone said. “What a horrible way to go and it sounds like it was far from quick.”

“You don’t believe she was still alive at the stake?” Dr. Musgrave was incredulous. “After her heart was removed?”

Dr. Stone thought for a moment. “I know it’s impossible, but eyewitnesses said they saw it.”

“So you’re saying she was a witch?” Dr. Musgrave scoffed. “There’s no such thing. Witches are an element of fairy tales.”

“I’m saying that the more I learn about the world, the less I truly know.”

“A witch.” Dr. Musgrave laughed. “And her blood was carried along by…” He pointed to the millipede that lay inside its transport tube.

“More than that. Our studies have concluded that the blood is a part ofthat creature. It’s part of its DNA.”

The researchers held each other’s’ gaze for a moment before returning their attention to the many-legged carapace. They would spend the remainder of their years questioning if they had overactive imaginations that day, or if they truly saw the long-dead millipede trembling.

.

Fiction © Copyright Elaine Pascale
Image courtesy of Pixaby.com
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More from Elaine Pascale:

TheKitchenWitches_ElainePascale

The Kitchen Witches

The women of Cape Cod have a story that is dying to be told. If only they could live long enough to tell it.

When Fiona Walker is contracted to write about a party attended by her social circle, her friends begin dying. She captures the competition and misery of the women around her through three different stories.

In Wishes, Melanie Voss discovers a Time Between Time where nothing that happens counts. Initially, Time Between Time is a welcome escape from a life spent watching the clock while doing chores for her family. But something sinister is in the Time Between Time and it is headed straight for Melanie.

Death and Taxes tells the story of Nashville DeCota, the Cape Capo. Nash swears that she is not the Island Impaler, nor the Tooth Snatcher, but she has just as many skeletons in her closet. When her husband, Derrick, is kidnapped, she has to come clean about her crimes if she ever wants to see him again.

Fiona tells her own story in Hazing, where she finds that the real source of evil behind the deaths of her friends is worse than she could have ever imagined.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Elizabeth H. Smith @bethsmithwrites @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Terms of Life
by Elizabeth H. Smith

The symphony of rot is both abysmal and a form of beauty only seen by clouded eyes. Nerves cry out in agony as they wither and die. The blood cools, flesh sags as it lies still. The gray sky meditates above the exposed body, contemplating nothing at all. The thrum of the earth below calls the meat to rejoin it in a symbiotic embrace.

Time consumes even the indelible and judges not by merit nor intent. It only passes uncaringly, allowing all things to take the course they’re on. This life ended here as it cried out for help that would never come; all its hopes, dreams, and memories gone to the great culling of the void. The body left behind, for what’s given by nature, is also owed.

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More About Elizabeth H. Smith:
Elizabeth H. Smith is a storyteller who writes while trying to keep her cat, Luna off the keyboard. The musical group, Rasputina is her muse. She was born in the state of New York and would never feel at home anywhere else.

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Ladies of Horror Flash Project – #Horror #author Donna J. W. Munro @DonnaJWMunro @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


What it all Hinges Upon 
by Donna J. W. Munro 

Since ancient times, man has sought the center. Navels of the world were worshipped in places like Delphi, where important men came to decided their fates based on the whispered hallucinations of prophetesses chained to the center of their world.

There are pits in South America and volcanic mountains in the far east that have come to be known as the beating heart of earth. The human sacrifices and material goods poured into those depths by frightened humans so numerous, yet uncountable because of the nature of such places. Untouched. Beyond our understanding.

What draws us to those places?

As an archeologist, I’ve sought such understanding my whole academic life. I started this occupation as a stone cold cynic. A atheist with enough knowledge about ancient worship and the frameworks of religiousity that I’d be vaccinated against any local nonsense. Science alone would satisfy me. Facts were my object of affection.

“Dr. Harden, I’ve found something on the GPR.”

I glanced over at my inter’s screen and saw a strange shape dominated the image. Without the definition usually evident on the radar screen, it looked more like an astronomer’s rendering of a supernova, pulsing with light and energy on what should have been a relatively static image. I pushed her aside and fiddled with the program to see if the settings were correct.

No problem with the setting, cables, connections. Then I went to the external radar unit to check its components. As far as I could see, everything was perfect. It shouldn’t be sending such strange images.

“I’ve never seen anything quite like this,” I told her.

“Grid it. It’s not that deep,” I said, knowing that I ought to do a whole more observation before we put spade to soil. That I might be wrecking the strata and causing myself all sorts of paperwork nightmares for later when the local government’s pissy auditors came after the dig’s licenses. It didn’t matter. My gut told me that we could be done by then. That if what we uncovered was important, they’d forgive us.

What really mattered was that beating energy buried just a couple of feet down. I smelled treasure and nothing was going to keep me from unearthing it today.

We gridded and stared in on the shaving away the layers of dirt. We had undergrads sifting the pails of dirt we brought up, but with the grid only ten by ten, there was very little for them to do other than watch as the more experienced team pulled at the secrets shaddowed in the dirt. They were as professional as one might hope during a university dig in the hallowed land where once the Venus of Willendorf had lain, awaiting discovery.

The rational part of me was oh so proud.

But rationality wasn’t guiding the spade and picks in my hands. I moved with a practiced ease that hid how little I cared about the fragmentary bits surround the object peeking out from the loose black soil. From the patina, I knew the bronze had to be at least three thousand years old, but it ought to be deeper if it was that old.

Behind me, my grad students sighed and delivered the sad news, archeologically. “The piece Dr. Harden unearthed is clearly not of this time or place. Perhaps it was stolen from a burial or some other site. Only lab analysis can tell us…”

I tuned them out. In my hands, the item unfolded into two joined halves. Delicately worked curves and deft pin in knuckle joining that still swung open and closed fascinated me. I knew from my own studies that hinges like this one had first been used only two thousand years ago in Turkey. They were a luxury of metal invention that hadn’t existed before. But this piece, strata evidence or no, had to be older.

It told me it was.

I carried the item back to my tent, shooing away all of the others to work purposely in the grid.

I held the hinge, listening to the tale it told. Every swirl spoke of the thousands of miles it had traveled, the hands that had carried it to each exquisite door in every palace it had adorned. It vibrated with the weight of its mission and in my hand it told me the story of my own future.

That night, I tucked it in bottom of my suitcase and caught a flight to D.C., leaving my students stranded. They’d survive, the hinge told me.

On the red-eye flight, I dreamed vivid touches of skin to metal and the words woven with ecstasy. I’d scaled my consciousness and kissed heaven’s face. I was prophet, walking in the steps of conquerors awaiting fate to fell them. I was judge, delivering the last breath of life to an aged empire.

The hinge pivot life to death, the holy instrument of judgement. Like Excalibur, it was wielded to save mankind… but the hinge was a scale’s balance, not a sword.

I knew finally what to do.

My life—discovery, family, tenure, bills––fell away as I left the airport. I held the hinge in my hands and it weighed as much as the world.

At the conqueror’s palace, I passed the gates invisible to the guards and the agents who watched. That the famous house was occupied by one the hinge would undo thrilled the part of me that used to care about historical things. But the newer me understood the White House to be a shadow construction built by an infant empire.

It would be nothing, soon enough.

I stood at the door so often featured on the news, now quiet because the President was at play golfing or eating. Whatever it was that such men do.

The hinge sang to me as I pressed the door, all the weight of time and justice in my fists. My blood lubricated the locks. My flesh paid the bone price that the elder forces of earth always required. The portal opened and I released the hinge from my boney clutch.

It sighed its pleasure at my devotion and promised my name would life in the swirls and ridges of filigree. It attached to the door of power as it had with Napoleon and Hitler, Alexander and Atilla. Answers to all my historical questions appeared in my mind as I sunk, cell by cell, into the wood of the threshold the hinge attached itself to.

The navels of the world bring power, strength, and growth and are paid with energy. But only the hinge took power, strength, and expansion away. Since strong men first shut the doors against their supplicants, the hinge had shut the door on their evil.

Hail the hinge and its makers, I thought as my life flowed away. And the door began to swing shut once again.

.

Fiction © Copyright Donna J. W. Munro
Image courtesy of Pixabay.com
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More from author Donna J. W. Munro:

Revelation: Poppet Cycle Book One

In a dark future, people with money live in doomed cities and use the recently deceased as
repurposed servants and workers called poppets. Ellie DesLoge is the teen heiress of the
company that makes and distributes poppets–your basic reprogrammed flesh robot complete
with training chips and kill switches. If Ellie does everything her Aunt Cordelia says, she’ll have a
life of wealth and power. If she chooses to be what is planned for her, life will be perfect.
Everything she ever dreamed. But something about her sweet poppet Thom goes against what
Aunt Cordelia and tradition have taught her. Will she choose to believe what everyone knows is
true or will she follow what her heart tells her about Thom? Her choice will change the world.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Kathleen McCluskey @KathleenMcClus4 @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


What Was Still Moving
by Kathleen McCluskey

The hinge bleeds when the door opens.

It does not drip cleanly. The fluid clings, thick and dark stretching into strings between iron and wood before snapping free and spotting the floor. The smell comes with it – hot metal, rancid fat and something coppery that coats the back of my tongue and refuses to leave.

The locals would not step inside of the cottage. They lingered at the threshold, eyes darting past the door as if something should be watching them. One local told me that the house had survived the famine because it learned faster than most. He would not explain what he meant, just crossed himself and backed away. The Irish and their superstitions, it made me smile.

The door opens inward, heavy, resistant. When I push on it, the hinge fights me. There is a wet drag beneath the iron resistance, a sensation like pulling cartilage apart. The hinge clicks as it moves, as if counting. It’s a slow deliberate sound that repeats itself even when the door stops moving.

On the third night, the sound changed. Chewing.

It began inside the hinge. Inside. Steady and methodical, accompanied by a faint grinding, like bone on bone. The door was closed. I am certain of that because my shoulder was braced against it. Heat began to build through the door, soaking into my skin. My mouth watered and filled with saliva. It was difficult to swallow.

I pushed the door open to see if there was a fire inside.

  The hinge flexed as the door moved, splitting along a seam that should not exist. Something dropped free and struck the floor with a wet crack. It was a piece of human bone, blackened and polished smooth. The edges were worn down like it had been wiggled and worked side to side for years.

The smell surged outward next, a stank, overwhelming stench. I nearly gagged. It was warm, like standing over a boiling pot that had the wrong meat in it. A pot that should have never been filled.

I try to slam the door shut. The hinge resisted, tightening and a strange pressure bloomed behind my eyes making my head swim. When the door finally closed. The hinge screamed, it was a sharp, choking scream that ended with a satisfying click.

I looked closer at the doorframe, the marks there explain the rest.

Hundreds of notches were carved into the wood, steady and careful. They looked like counting marks worn smooth from hands that had returned often. Beneath those are older gouges, frantic and uneven, torn into the grain by, dare I say, fingernails. The wood is black there, saturated with blood that has soaked in too deeply to ever disappear.

The famine taught them efficiency. I shudder at the thought.

When the door opened again, it did so without my help.

The hinge parted wider now, revealing its interior. Iron rods run through it, pinning together lengths of human bone, packed tight with grey, fibrous meat. The flesh twitched when the hinge moved. It was as if it was reacting to friction. To heat. To hunger. The chewing grew louder, faster and the smell was unbearable.

Beyond the door there was no room. There was only a close, wet darkness pressing forward, breathing heavily. I cannot explain the level of horror I was feeling.

The hinge locked in place, holding the door open. Pressure built in my skull causing my ears to ring. My hands trembled violently, my fingers curled against my will. Hunger tore through me, likes that I have never known. It was sharp and focused, it stripped away my panic and replaced it with need.

I understood that the hinge did not take indiscriminately, it taught. I cut myself, without even knowing I was doing it.

The knife slid into my forearm with less resistance than I expected. Blood welled immediately, thick and hot and the hinge responded at once. The chewing sound accelerated and the door vibrated. I pressed my arm against the exposed seam, it gripped me, flexing as meat and bone clamped down. 

The hinge pulled. Not hard enough to tear, just hard enough to measure. Teeth that are worn sharp from centuries of use scraped against my muscle, learning the texture. Blood poured into the hinge and down the rods, coating the grey flesh inside.

By the time the hinge released me my arm was slick and mangled, and now the door moves easily again. The seam closed. The chewing faded to a contented grind.

I bound my wounds poorly. It does not matter. The hunger lingers, low and constant. It curls comfortably around my gut.

The hinge weeps blood when the door moves. Thick and dark. It knows me now and it knows that I understand what it requires to keep the house standing.

The famine never ended here. It just learned how to make the living continue it.

Fiction © Copyright Kathleen McCluskey
Image courtesy of Pixabay.com 
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More from Kathleen McCluskey:

The Long Fall: Book 1: The Inception of Horror

Lucifer always cunning and intelligent challenges father to a battle of wits. Being the angel of light he casts a judgemental eye upon mankind. He begins a war with his fellow archangels and God. Michael, along with his siblings defend their home and mankind from their deranged brother. Broad swords and hand to hand combat drench heaven in blood. The four apocalyptic steeds are released, each having their own destructive power. Betrayal and lust are at biblical levels. Understand the very creation of evil and the consequenses that transpire in the first of THE LONG FALL series.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Nadia Corin @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

The Visual Machine
by Nadia Corin

It hides behind the glass as I see what it wants me to see—unending strings of hollow thought streamlines into the brain, a disease of the times. The only cure is to cut the strings and separate from the system.

But the system doesn’t like its parts severed. It will fight to keep them in line, functioning as intended, as directed. We feed it our every detail, our lives spread out for it to dissect; we give it our souls. We are both its creator and what it has created.

We are the machine, the machine is us.

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The Ladies of Horror Flash Project – #Horror #author Marge Simon @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!
 

Captive Audience
by Marge Simon 

When she appeared, it was a surprise. Nobody expected her to return. No one wanted her to stay. But there she lay in the graveyard soil, a hideous insect crawling around her newly polished nails. The crowd gathered around her parted as she rose to her feet. Someone coughed nervously.

     She addressed the gathering, “You know why I’m here. It’s been a long time, and I’m very thirsty. You know what that means.” She licked her lips. “Who’s first?

Fiction © Copyright Marge Simon
Image courtesy of Pixabay.com 
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More from Marge Simon:

MargeSimon_CastFromDarkness

Cast from Darkness
by Marge Simon and‎ Mary Turzillo

Cast from Darkness is another triumphant collaboration between award-winning Speculative poets, Marge Simon and Mary Turzillo.

The poetry includes themes running the spectrum of the speculative genres and forms ranging from the haiku through many nuances of vere libre to the prose poem.

Available on Amazon!

 

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Ladies of Horror Flash Project – #Horror #author Alex Grehy @indigodreamers @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Lover’s Lane  
by Alex Grehy

My lover and I walk this path, 

a spiral procession to the melody

of genetics and the complex

harmonies of our society.

I walk behind him, as is my place,

my steps tamping down the soft

turf until I am far below ground

in the embrace of the easeful dark.

I see him climbing, his steps create a

mountain; at the summit far above, 

triumphant, he finally looks back, 

assuming I will be there, a follower.

I hear his voice in the thrumming earth

“My love, what are you doing? I need you, 

please, please, come stand in my life, 

in my light, come to me, come.”

I curl up in the depression I have created, 

a woman unborn, comforted by the peaceful 

bones of my predecessors. Here I am safe, 

supported, and he, so high, has way too far to fall.

.

Fiction © Copyright Alex Grehy
Image courtesy of Pixabay.com

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More from author Alex Grehy:

Last Species Standing

Alex Grehy (she/her) enjoys writing quirky, thought-provoking horror and is a regular contributor to The Sirens Call and Ladies of Horror Flash Project. Her fiction and essays on being a lady of horror have featured in a range of publications, including Spread: Tales of Deadly Flora. Alex’s first poetry collection, Last Species Standing, which explores mankind’s relationship with nature and technology, is available on Amazon.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Lisa Harris @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Live, Laugh, Lovecraft
by Lisa Harris

     “Amanda, you’re being a total arsehole right now!” I pathetically slap at leaves and stumble over gargantuan roots, chasing after my blonde co-star. “If production sees we’ve left the villa we’ll get booted off the island!” My pleas fall on deliberately deaf, gold-hooped ears. Eerie trilling from the surrounding trees is the only response. Amanda charges forward through the imposing vegetation with a confidence more akin to a veteran explorer than a Hott Hott Holiday contestant. 

     My up-do gets caught in a particularly grabby low-hanging vine, tugging out a hunk of hair. Those extensions were bloody expensive! Fuck this.

     “AMANDA BANTER! YOU ARE NOT BEING A GIRL’S GIRL RIGHT NOW!” 

She stops dead. White-gold sequined dress glittering under what trickle of moon is brave enough to speckle the gloom. She looks pissed off. At least, as pissed off looking as the daily ToxBox injections mandatory for all contestants will allow.

    “That was a low blow, Tilly Whittens, and it’s Giving: #Petty.”

    “Oh fuck, ‘Giving,’ Amanda! This is madness!”

    “It’s not madness! Blayze’s TikTok said – “

    “Blayze’s TikTok was clearly a load of made-up bollocks!”

     “It has over four million views!”

     “Oh, ‘views’ don’t mean anything!”

Amanda shrieks, horrified. Ashamed, I regret it immediately.

     “I’m sorry. I… didn’t mean that.” 

     “Tilly… You’re my oldest content collaborator. You were the first account I ever tagged on InstaGrim.” Her tone is soft. “But if you stop me reaching the hidden temple that Hott Hott Holiday Season 16 winner Blayze Bayleigh accidentally discovered while running from the crew during her Menty B over Tiggy Muffins stealing Hammer Steele off her during the Couple Off, and inside the hidden temple was a Goddess who granted Blayze her wish of becoming the most famous influencer of all time, then I will block you. On everything. Even ChatSnap.”

     “You wouldn’t.”

     “I would.” 

     “But Mandy, we’re on the show! Think of all the sponsorship deals we’ll get afterwards! Think of the brands! Isn’t that enough?” Amanda’s face hardens. 

     “You’re Giving: #Basic, Tilly, Basic. If being some marketing mouthpiece with a “K” after her follower count is good enough for you, then crawl on back to the Villa and your little situationship with Georgie McPudding. But it’s not enough for me. I don’t even want an “M” after my follower count. I want a “B.”

     “You want… A BILLION FOLLOWERS?!”

     “I want them all, Tilly. All must follow me.” She turns sharply on her backless silver kitten heels and marches awkwardly through the undergrowth. 

     I know my Yoni Yoga Guide-ess would tell me to put myself first and leave Amanda to it. But I’d been in Amanda’s long, dark, streaky, fake-tanned shadow for too long. I couldn’t let that bitch find this Goddess thingy before me. I’d seen the TikTok too. Seen it first. That orange tramp hadn’t even had The Dreams afterwards. Dreams of Temple, Statuette, and Sacrifice. And followers? All she knew of “followers” was confined to the few billion flesh-sacks, lumbering in their decay on this one planet. A billion followers, when there were over a trillion cosmic realms to rule. I had to be the first of us to touch that Statuette.

     An ecstatic squeal ahead, Amanda’s found the fabled clearing. Panting, hair destroyed, silk purple off-shoulder jumpsuit shredded, I sprint as fast as my gold ankle boots will let me and catch up to the bitch, halting suddenly. There it is. Ancient, unknowable, looming. We’re both in awe. Amanda turns to me and smiles serenely, takes my hand in sisterly solidarity, and together we walk under the full moon through the stone entrance. 

     It’s pitch-black inside, but a quavering green light guides us towards a chamber at the back. There it is. A rough-hewn, humanoid – yet somehow not human – figure gouged from a strange mossy wood, indecipherable glyphs circling its head like a crown in a language clearly older than anyone could imagine. Amanda recoils a little as she leans over for a closer look.

     “It’s Giving: #Germs. Got any hand-sanitizer, babes?”

     “Yeah, babes. Lemme… Just…”

I rifle in the leather clutch tucked under my arm. Hm. It took quite the beating in the jungle and still survived. Definitely shopping that brand again.

     I pull out a small, lethally sharp scissors from my emergency manicure kit. I plunge it straight into Amanda’s peering, stretched neck. Right in the jugular. A visceral choke erupts from her artificially inflated lips. She staggers back against the wall, sliding down slowly, watching me place both hands on the side of the now bloodied Statuette. I feel its power flow into my veins. The power of a trillion cosmoses. 

     Amanda, near bloodless yet blood-soaked, croaks out her last words:

     “Babes, it’s Giving: #truecrime.”

Fiction © Copyright Lisa Harris
Image courtesy of Pixabay.com
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Ladies of Horror Flash Project – #Horror #author Sheikha A. @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Lacuna
by Sheikha A.

Thunder caws — sigil burnt. After tonight, she will be every where like a picture imprinted in his mind. He will carry her like an emblem on his skin; she will clamp on, and his bones will open, without resistance, to receive her. How she sets fire will be a thing of mystery as he scrapes with nails of blood

cawing thunder —

smell of bone-rust

spitting embers 

to erase her memory, She will be scripture in the wind, waves of her presence coursing through his veins. A dry rose waits in a metal cup — for fire — a candle to be struck lit, and a soft flame of topaz heat 

rimming rose reduce with love amber ash

he, who called her plain like a haunting stem of stars that conjured no fright, and her echoes did not make his heart shiver. There was always someone more ghostly, like a voice driving splits into canyons, and emerging as an undelivered curse — so beautiful — so raw — unclaimed by the mortal world; someone pure and profound like a spell passed down since centuries — olden — uncut —

.

ancient moon

burning at midnight 

— latching cords 

exuberant and fresh, her true form will show him how she will be everywhere, and nowhere. The dry rose is fully burnt — breathing atoms of undone life. She draws her next sigil: wings of crow holding fallen thunder. His flesh will burn in sweet avoidance, her trap narrowing against his oblivion 

lacuna stars alight altar empty rolling metal cup

and when he thinks she has been obliterated, from the nightly scar delicately handled to his skin, she will seep —

.
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Fiction © Copyright Sheikha A.
Image courtesy of Pixabay.com.
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More from author Sheikha A.:

Nyctophiliac Confessions:
Poems by Sheikha A. and Suvojit Banerjee

“The night is cold enough to inspire poetry,” says Sheikha A. in her poem, “Reading My Bones.” This is the basis of Nyctophiliac Confessions – poems that are introspective and luminal, poems that require a certain amount of silence and space to be fully formed and appreciated. Reading these poems, I imagined that they were the kind of poems that assert themselves unbidden during a bout of insomnia. (A nyctophiliac being someone who loves the night or loves darkness).

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Nyctophiliac Confessions is the 17th installment of Praxis’ chapbook series and contains twenty-six poems written by two poets, Sheikha A. and Suvojit Banerjee, interspersed with abstract paintings by Robert Rhodes.

Available Here!

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Ladies of Horror Flash Project – #Horror #author Melissa R. Mendelson @fallenhazel @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Beneath the Flashing Lights
by Melissa R. Mendelson

Beneath the flashing lights, I grimaced at the mud on my boot, disgusted by its presence. I dug my boot deep into a pile of dirt, trying to wash off the stain. I kicked my boot out into the air, releasing the dirt around it, and as I did, I listened to their grating voices near me. Hey, did you see last night’s game? Boy, did I get plastered earlier today, but don’t worry. I’m now right as rain. Hey, remember those young girls we caught? Well, I gave them something that they will never ever forget. If only they would shut the fuck up, but what was worse than them? The damn sighers. Those antsy, restless, eager, chomping at their lips and fingers. What the fuck were they waiting for? So what if this girl was dug up and dead? No one cared, and I stared at the mud still on my boot, which helped avert my gaze from her mangled body, one arm stretched outward with dark red nails matching the blood in the dirt. Finally, the coroner had arrived. It’s about time. We were finally free and ready for our next departure, but now, they were annoyed at me. I was taking too long, wavering, glancing, wondering whose daughter were we leaving like this, but as one man had said, no one cared. I shouldn’t, and I knelt down, rubbed the mud away, and grabbed the silver ring with an Onyx stone off the dead girl’s finger. My daughter always liked things like this, and I slipped it into my pocket. I stepped away, leaving her body there, beneath the flashing lights.

 

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Fiction © Copyright Melissa R. Mendelson
Image courtesy of Pixabay.com.
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About Author Melissa R. Mendelson:

Melissa R. Mendelson is a horror, science-fiction and dystopian author and poet.  She has two publications with Wild Ink Publishing.  One is a prose poetry collection, This Will Remain With Us, and the other is a short story collection, Stories Written On Covid Walls.  She also self-published a sci-fi novella, Waken and a small short story collection, Name’s Keeper.

If you’d like to learn more about Melissa, you can visit her accounts here: www.MelissaMendelson.com

 
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