Ladies of Horror Flash Project – #Horror #author Josie Queen @JosephineQueen9 @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


Image_004_June_2020Maleficium
by Josie Queen

“Grandmama says not to touch the crystal.” The boy’s eyes are an astonishing shade of brown, almost black, and I can’t help but be unnerved by the intensity of his stare. The children at school avoid him and even adults don’t care to be in his presence for longer than necessary—I hope we aren’t alone too long in this room with its dusty corners and odd, musty smell. 
“I had no intention of touching the crystal,” I say. I chuckle, though it feels false and I fear, unreasonably, that he feels it too. He smiles that strange mirthless smile and looks directly up at the aforementioned forbidden thing. 
“But I won’t tell if you don’t,” he says in a sing-song voice. I shiver.
The crystal, a weak amber-colored gem, sits on the mantel and seems to absorb all of the light that enters the room. It’s the only explanation I have for the shadows and gloom in a room that should be filled with sunlight—it’s graced with large, floor to ceiling windows. 
“Will your grandmama be along soon?” It was surprising to me that the boy opened the door to my knock, I expected the grandmother to answer. We’ve been waiting for some time now, or maybe it’s been a shorter while and I’m discomforted by this strange child. He just smiles in response to my question.
“Would you like to see the crystal up close? It’s very pretty.” We both look at the object. It’s not at all attractive—yellow and shapeless and exuding almost a sickly ambience—I would rather not get too close. I hold my case of school papers tighter on my lap and shake my head. “My friends tease me,” he says quietly. “They say Grandmama is a witch. They say she turned my mother into a toad and if you look at her wrong she’ll turn you into one too.”
“You mustn’t listen to the silly rumors of children, Matthew. Their heads are filled with fancies,” I say. I’ve heard the rumors too, though. And I’ve seen the way he repels other children like soap repels pepper. They gather in hordes and whisper cruel things—that his mother walked out on her child in the middle of the night because she lost her mind and that the grandmother has a cauldron and a familiar. 
“Miss Thompson,” he whispers. “I really hope Grandmama isn’t really a witch. Witches have to burn, don’t they?”
“There is no such thing, Matthew.”
“But didn’t they do that when they found one? Burn them?” His voice is whispery, but it seems as if it’s close by my ear, even though he is across the room. But he isn’t now, I didn’t notice, but now he is by my side. I jump, then laugh—I’m one to talk of childhood velleities. I’m doing a grand job of frightening myself in this shadowy, damp room with this child who seems much older than his years. 
“Well,” I say. “That was a long time ago and it…”
“But don’t you think witches should burn?”
“Where on earth could your grandmama be?”
‘Oh, you’ll see her soon enough,” Matthew says and smiles again. I do wish he would find an insect to torment or talk nonsense to me about toys or animals or trees or some such inconsequential thing that children usually talk about.
“Don’t you want to see the crystal?” he asks me.
“Well, if your grandmama says you’re not to touch it…”
“But Grandmama isn’t here,” he reasons.
“Will she be here soon?”
“Will you take the crystal down so I can see it? I promise not to touch it.” I don’t see the harm in humoring the boy, so I rise from my chair and approach the mantel. The room darkens and the crystal seems to shimmer. It is a very pretty little thing after all—the yellow glows in the darkness and I fancy I can hear it humming. I reach up to take it in my hand and as my fingers close around its coldness the world around me winks out.
I come to in a room with damp stone walls and a dirt floor covered with mildewed straw. I am sitting on the floor and there’s a chain attached to the wall and, in turn, to a band around my ankle. There are thick metal bars between my cell and the room beyond. I can smell smoke and I see the flicker of flames dancing on the walls and ceiling. I can hear the low roar of a congregation somewhere and the torturous screams of a person in sheer pain. I hear low footsteps coming down the stairs into the dungeon and then his eyes are looking into mine— those deep, dark, almost black eyes now in the face of a grown man. The evil in them is plain to me.
“Would you like to see Grandmama now?” he asks. “She is barely alive and won’t be for very long, but I’m sure she’ll be pleased to see you.
“Mama didn’t take so long to touch the crystal,” he says with a sigh, as if he’s reminiscing about a fond memory. “But Grandmama suspected what had happened to her witch of a daughter and tried to be rid of the crystal. I had to trick her. You weren’t so hard to trick.” He laughs loudly and claps his hands and I watch as the shadows of the flames flicker and lick across the walls of the cell.
Fiction © Copyright Josie Queen
Image courtesy of Pixabay.com

line_separator2More about Josie Queen:

Josephine grew up in England and now resides in the northeast corner of the US. She writes flash fiction and short stories that err on the creepier side of things. She just completed the final draft of a novel length middle-grade fantasy, which she hopes to get published during her lifetime.

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Ladies of Horror Flash Project – #Horror #author Sheikha A. @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Image_003_June_2020Immortals
by Sheikha A.

He knew what they were, apex crawlers
of the high domains – mobius chains –
fire-follicles erupting like lava from skin
pores; they would come steel-taloned
looking for their children, those he had
fed until he killed. They donned masks,
eyes mesmerising pits of shadows –
altered realities – mirrors of untapped
souls – unspoken desires pervading
human minds. He would have to gouge
out his eyes, but he would wait until
they arrived. The walls are thick on
shadows of caretakers like himself
as he waits between them – green
neon blazes of the children’s dead flesh
burn against his palms. The crawlers
are slow and precise, their talons cleave
with deliberate pleasure; yet he waits on
the sound of their slithering bellies,
his fingers positioned like pluckers
over his eyes; this time no illusions
will manipulate what they know of
his unspoken dreaming – the woman
he loves, the children he had wanted –
this time he will face them soulless.
He hears them coming as he braces,
his  hollow eyes resembling theirs,
dark like ghosts, discarded and dead.
Fiction © Copyright Sheikha A.
Image courtesy of Pixabay.com

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More from author Sheikha A.:

Screen Shot 2019-12-17 at 10.57.17 AM.pngNyctophiliac Confessions:
Poems by Sheikha A. and Suvojit Banerjee

“The night is cold enough to inspire poetry,” says Sheikha A. in her poem, “Reading My Bones.” This is the basis of Nyctophiliac Confessions – poems that are introspective and luminal, poems that require a certain amount of silence and space to be fully formed and appreciated. Reading these poems, I imagined that they were the kind of poems that assert themselves unbidden during a bout of insomnia. (A nyctophiliac being someone who loves the night or loves darkness).

Nyctophiliac Confessions is the 17th installment of Praxis’ chapbook series and contains twenty-six poems written by two poets, Sheikha A. and Suvojit Banerjee, interspersed with abstract paintings by Robert Rhodes.

Available Here!

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Ladies of Horror Flash Project – #Horror #author Michelle Joy Gallagher @Aphelia @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Image_002_June_2020

Irises
by Michelle Joy Gallagher

Sinclair had very few benefactors since the last great war and the government started censoring all artforms for public consumption. They eventually outlawed most forms of expression entirely unless it adhered to a strict set of guidelines that enabled “Loyalty, Honor, and respect for the Government of New Utopia” which really came down to only a handful of art pieces and literature curated by official government “Art Scientists” who crafted works they felt sent the correct message, leaving citizens “well in control of their emotions and sentiments”
Sinclair and her colleagues; Artists, writers, dancers, singers and musicians had been forced underground several years ago. Punishment for breaking what the government called “Terroristic Art for Malicious Purposes” law was severe. Disfigurement or death, depending on the severity of the “crime.” She was assigned to work at one of the state sanctioned marketplaces. 18-hour days were not unusual. They considered it essential to keep the economy from collapsing, even at the expense of mental and physical health. It was her “duty” and her “service.”
She hid her writing under the floorboards of her bedroom. A small stack of paper she’d gleaned from the market in the form of invoices, and employee files served as her medium. Her benefactor found her through a network of artists that used the market as a secret hub of communication and collaboration. She received a handwritten message about a time and a place to meet. She heard horror stories of artists being contacted by benefactors that turned out to be secret government agents and they were never heard from again. Some were malignantly deranged and used it as an opportunity to garner the trust of an unsuspecting artist only to rape or murder them. She packed a sharpened piece of plastic she’d recovered from a broken display at the market just in case and hurried to the Corridor.
The Corridor was a rapid transit system built during the war to transport soldiers to the various state fronts quickly and efficiently. It remained in service for citizens afterward except for restricted travel zones and she used it every day to get to her assigned employment station. A man sat next to her but got up after only one stop. He left a brown paper package behind on the seat with her name on it. Inside the package was a yellowed notecard handwritten. It said “1927 Hibiscus Drive. After your next shift. Careful you aren’t followed.” With it was a stack of ivory paper with a silken texture in pristine condition. She tucked it under her jacket and got off to catch the next train home.
Her shift the next day crawled. She watched the doors and aisles for Enforcers and nervously bit at the skin beside her fingernails. When she was finally allowed to clock out, she ran to catch the Corridor train into the highlands to meet with the man who she hoped would be her benefactor. Benefactors served a different purpose now and their support came in the form of supplies and delivery as well as dispersal of what the artist created. Her previous benefactor had been captured by Enforcers and never heard from again. It was a risky prospect no matter how you looked at it or what role you took.
When she arrived at the house she was greeted warmly by a younger gentleman and escorted into a small living room. He shut the front door and locked it. He moved the couch away from the wall and felt around the floorboards until one lifted and he pulled a cord beneath to reveal a trap door with stairs beneath. They descended and he lit a candle on a table at the end of the stairs. When her eyes adjusted, she saw the room was lined floor to ceiling with important works of art she thought had been destroyed by enforcers when they raided the museums. Van Gogh, Cezanne, Monet. He’d collected every important impressionist work he could get his hands on. And how he must have paid dearly. She couldn’t imagine what he’d offered in return or where he got the resources. She just stood in awe gazing at paintings that she’d only seen on television or online before the war.
“You look shocked.” He chuckled and smiled widely
“Should I not be? This is incredible.”
“I’m glad you think so.” He picked up the candle and moved to a small seating area and gestured for her to sit down. “It’s why you’re here. I want you to make a written record of what I’ve done here.”
Her eyes widened. It was quite an undertaking, and incredibly dangerous.
“Why the impressionists?”
He chuckled again. “They’re the only ones I feel would fully understand what I’m doing here.”
He produced a bottle of vodka from underneath the seat. Contraband also. He offered her some and she shook her head. She’d be on public transport soon and didn’t want it detected.
He nodded and poured a sizeable amount for himself in a wine glass.
He plucked a smaller canvas from a pile next to where they were seated.
“You see, I feel this is the only way I can keep these works of art perfectly safe.”
She laughed incredulously. “Here? In your basement?”
“No.” he said flatly, not appreciating her tone.
He pulled a folding knife from his pocket and then plucked a small canvas from a stack of painting beside them.
It was Van Gogh’s Irises. Sinclair gasped.
He cut a small square from the corner of the canvas and placed the square into the glass of vodka. The old paint dissolved slowly making a strange tincture. She screamed.
“NO! You can’t! How could you?? What do you think you’re doing?”
“I am the only one truly worthy. I will be a living record of all of these works. They will be part of me.”
“Well, They can burn you just as easily as the paintings!”
A sly smile and a glint in his eye. “Oh, but darling. They’d never burn one of their beloved Art Scientists.” She shuddered, convinced now he had done this time and again to various artists as a form of torture. He never intended on being her benefactor. In fact, she was sure that his next step would be to kill her.
She stood suddenly over him, shaking.
“I won’t let you get away with this!”
“You won’t? How do you suppose-“
The words were cut off and she drove the sharpened plastic deep into his throat. Blood poured forth at an alarming rate. All over the Van Gogh and over her. She would never make it home. She was dead the moment she got on the train. This was a trap and a dirty one, but they didn’t expect her to be armed. She grabbed the bloody painting and ran up the stairs. She reached the door before an alarm sounded. There must have been security cameras. She stopped at the door and took a deep breath, then opened it and ran out into the street. She held the painting above her head, dripping with the man’s blood. She opened her mouth to scream but the bullet from a rooftop snipe entered her head from a long distance before she’d had a chance to get any words out. She crumped to the ground, cradling the painting and bled out before wary onlookers.
Her actions had been recorded and played on state television for weeks. An example of what exposure to non-conforming art could do to the general populace. A lucky citizen won a lottery to burn the Van Gogh at a special event. Everyone cheered as the flames turned it to ash.
 
Fiction © Copyright Michelle Joy Gallagher
Image courtesy of Pixabay.com

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More from author Michelle Joy Gallagher:
cafemacabre
Café Macabre

This collection of twelve stories and artwork by women is truly a collection of the macabre. Make a reservation for terror and get ready to delve into the deepest, darkest fears of some of the best writers and artists in the fiction game. Leah McNaughton Lederman has collected an anthology of the truly strange… a tome of the weird. Take a seat and order a cup, you’re dining at Café Macabre!

Available on Amazon!

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Posted in Authors, Dark Fiction, flash fiction, FREE, Horror, Ladies of Horror, Writing Project | Tagged , , , , , , , | 3 Comments

Return from… Where?

Check out Lydia Prime’s latest blog update. 🙂

Lydia Prime's avatarLapsed Reality

clock-2535061_1920.jpgAh man, I’m pretty awful at keeping my own posts updated. I’m working on being better at that…

In the meanwhile, since the last update anyone seems to have seen from me was the #Release from #KandishaPress for: Under Her Black Wings: A 2020 Women of Horror Anthology (Volume 1), new and exciting things have been in the works. There is actually a Volume 2 on its way out to all your horror-hungry eyes! Stay tuned, it should make an appearance very, very soon. 👀!


Additionally, while you’re itching for that terror fueled fix – hop over to Pen of the Damned and check out what everyone’s putting out for #FREE!

If the somber, angst filled dark fiction of The Damned is a place you’re not yet ready to tread, perhaps one might consider,  Spreading the Writer’s Word, to check out the latest pieces from the Ladies of Horror…

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Ladies of Horror Flash Project – #Horror #author Kendra Hale @DevourAllWords @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Image_001_June_2020

At the End of the Day
by Kendra Hale

The more I listen to this bullshit therapy, the more my mind grinds. Hard and heavy, I can hear the gears turning. They shriek and moan, letting out noises that alert me to the fact that they needed oil long before now. My mind feels like a machine that’s been deprived of proper maintenance for too long. Left in the dark, forgotten. Once useful… but no more. Being tossed aside would have been a kindness in comparison to rusting and eroding, disintegrating into nothing. Nothing at all.

My therapist talks a big game, the whole “You have to learn to love yourself “ speech, that sends images of that “hang-in-there kitten” poster that used to hang above my bed. But no one understands that it was never about loving myself. That was never an issue. We all learn along the way that no one’s truly capable of love, not true love. Not the unconditional love that all the Hallmark and Normon Rockwell images show.

I grew up in the rural midwest, an area where farming thrived and the fields were always rotated for different crops. I was taught that the rotation helped to keep the ground fertile, to stop it from becoming useless, without nutrients. Each summer it would be something different; short crops of soya beans one year, but then the next the corn would rise, high and healthy.

Looking back, the corn years were my favorites. It was fuel corn, so there was no reason to sneak into the fields at night to steal the cobs, as they were inedible. But once the fall came, and the winds brought a light chill, these stalks would lose their rich green, almost as if their life was sucked out of them. They would slowly transition to tans and browns. It made them perfect for use as cheap Halloween decorations; you just had to collect the stalks, and arrange them around the outside of the house.

Halloween was always one of my favorite holidays. It was normal for everyone to hide their faces and identities, with masks and costumes, instead of just being alone, which was my mask on a daily basis. On Halloween everyone was in on the game. It made it the norm, instead of it being seen as weird. It was the one time of the year where I felt a part of something, which was rare for me.

When I turned fourteen, the fields that I had watched flourish over the years stopped taking the seeds. The lands became barren, they refused to grow crops. I watched as the farmer who owned the land tried over the months to get the fields to grow, bringing in all manner of machinery to try to make the land fertile again.

I would sit outside and watch as the workers tried in vain. My Father would tell me that the farmer would be smart to leave it for a year and let the ground rest, that he was killing it with all the constant planting. My Father wasn’t a good man, but he was a smart one. All the drinking and drugs he’d done to numb his old wounds hadn’t prepared him, or given him the patience necessary for raising a child.

My Mother had been killed by a drunk driver when I was seven, and my Dad  never recovered. I lost what was left of my childhood on the day I watched them lower her into the ground, and cover her with dirt. The small pitter patter of the light earth were harbingers to the thunder of the thud of the shovels. It struck me that day that this would be where we all ended up in the end, hidden in the dark. Forgotten.  But some of us know that feeling in our everyday lives, even though we’re still alive and kicking. It’s ingrained in our very being.

To the outside world I probably seemed a happy child. All was “normal”. But it’s astounding how something that looks normal, can actually be twisted and dark, on every level. Like I said, my Father wasn’t a good man, and the times where I got to actually be a child were gone after my Mother’s death. The times I was allowed outside were sparing, but were occasionally allowed, with the sole intent to show more of that normalcy. To the neighbors or those driving by or visiting my Father, I probably looked like nothing more than a kid outside, enjoying a nice day.

In truth though, Father only sent me out so I wouldn’t see what he was doing behind . You see, my Father’s mind had cracked, similarly to mine, when my Mother was killed. His center was gone and he was unable to cope. His anger was all encompassing, as was his pain. I was frequently a target of that pain.

It was my fault for looking like her, I guess.  Long, honey blonde hair, and light green eyes. That was what he thought, and that hatred had spewed over into his life, threatening to drown him.

When mom was younger, he’d told her that all he was doing in life was trying to find his breath, but barely staying above water.

I hadn’t understood at the time why the “mermaids” he played with never spoke to me. They just stared from the large tank in the basement at me, their eyes wide and their mouth caught in this continuous O shape. They almost looked scared of me, and all I wanted was to comfort their fears. The way their golden hair flowed in the water and caught the florescent lights was mesmerizing… almost magical.

It hadn’t been until I was older that I realized what my Father was doing when he was “breathing”. The first time he asked for my help, I was seventeen years old. I remember the dirt from the field on my hand, the dry scratchy texture, the way it stood out so starkly against my own flesh. I knew it was wrong in an instant, but my mind couldn’t get around the fact that my Father was doing these things… and now, so was I.

Everything changed after that moment, but given my Father’s standing in the community and his careful nature, no one ever found out. By the time I was twenty two I’d lost count of the girls he’d brought in. The days of calling them mermaids were long gone by then, with no door left open for a discussion. He shut me out completely at the end. Not that I even cared any more at that point, I’d moved on to a local college and was studying to be a criminal profiler.

After all the years of learning from the best, and successfully adding my father’s victims to the field that never bore crops again… who else could be better to analyze the minds of those with ghosts in their machines?

Fiction © Copyright Kendra Hale
Image courtesy of Pixabay.com

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More from author Kendra Hale:

je


Just Emotions:
A Gothic Bite Magazine Anthology

A collection of poetry.

 Available on Amazon!  

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Posted in Authors, Dark Fiction, flash fiction, FREE, Horror, Ladies of Horror, Writing Project | Tagged , , , , , , , | 3 Comments

Ladies of Horror Flash Project – #Horror #author K.R. Morrison @KRMorrison2 @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Image_004_June_2020

Best Left Hidden
by K.R. Morrison

“You sure about this?”
Gunther squinted up through the dense forest at what little he could see of the morning sky. “This doesn’t seem like a place where such a big thing could be found.”
Wes sighed. “Well, of course it wouldn’t just be sitting out here like some sort of tourist attraction. It’s BURIED somewhere around here.”
The two men walked along in silence for some time. Their guides from nearby Deutschneudorf flanked them on either side, eyes and ears alert for wolves or any other predators. Humans were not on the top of the food chain in this part of Germany.
Wes stopped and pulled something from his jacket pocket; it was a piece of note paper with something wrapped inside.
Gunther peered at the item. “That’s the…?”
“Yes.”
The guides stopped as well, but didn’t come any closer. It was as if they’d left their curiosity at home that day. Wes did not need to worry about the possibility of them prying into his business.
He unwrapped the object and dropped it into Gunther’s outstretched hand.
It was a shard of amber, an object that had been sent to Wes by his Uncle Otto, along with the paper that Wes was currently reading.
“These are the GPS coordinates that Uncle Otto sent me.”
Wes checked his phone app. “We’re on it now. Where’s the shovel?”
They quickly unpacked the tools and dug. Within minutes, they found a hole in the ground, which was covered by a heavy iron lid.
“Hot damn!” Wes crowed, and together he and Wes pulled the cover up and off. In their enthusiasm, they did not see the guides back off slowly from the site and melt into the surrounding forest.
Soon they had lowered themselves into a vast cavern, which would have been a delight to explore if the bottom had not been covered with stagnant water. The stench itself was enough to make them almost rethink their plans.
“What the? Must have flooded since Otto was here.”
Gunther shined his flashlight around the ceiling. “I hope we don’t have to deal with bats.”
Wes suddenly clutched Gunther’s arm. “Wait! Go back!”
The light was now on a side tunnel, above the water and easily accessible. The men took off into it right away.
Two minutes later, they fell through a hole in the floor and slid into the place of their dreams.
The Amber Room! They had found it!
As they looked around in wonder, they became aware of the presence of someone else in the room—and it was not a pleasant feeling. Ice grew up their spines as they turned slowly around to face whatever it was.
But—it was only a man. Or, at least, he looked like a man in the light of the torch. The two explorers could not be sure—especially since it seemed he was hovering a good three inches or so above the golden floor.
After a moment, he spoke.
“Welcome, wanderers. I am Viktor. And how did you find my home?”
Gunther was petrified. Wes was less so, but he still couldn’t get his voice to work.
The man quirked an eyebrow. “Cat got your tongue?”
“Ummm…Ott…my uncle told us of where we could find the Amber Room.” Wes smiled weakly. “We had no idea someone was…er…living in it.”
He moved backwards a few steps. “Sorry to have bothered you. We’ll…just let ourselves out.”
Gunther nodded vehemently—the only motion he was able to do. Wes pulled him by the shoulder, and the frightened man was put to flight. He stumbled backwards, and the flashlight’s beacon flew off and around the room. In a matter of moments, its light was rendered unnecessary.
Torches suddenly flared from all over, lighting up the walls and ceiling with golden luminescence. However, this was no longer an attraction to the young men; their frightened gaze was on Viktor’s face.
Viktor quirked an eyebrow. “Just how far do you think you’d get?”
The predatory look in Viktor’s eyes was enough to stop their hearts.
The man then smiled—a small gesture, but enough for Wes and Gunther to see that not all was as it should be with his teeth. “I mean—it is getting on in the day, and surely you must know that your guides did not stay.”
The hair on Wes’s neck stood on end. “But…but…we paid them…”
“A superstitious lot.” Viktor paced back and forth, looking pensive. “I’m afraid they always leave. A pity. I should like to invite them to dinner in my palace.”
He stopped, then stared directly into Wes’s eyes. “Never mind. I seem to have dinner guests enough right now.”
Gunther turned and ran. He scrambled up and out of the room, crying as he heard Wes’s screams.
(Three weeks later)
Wes sat in his room at the asylum, writing in his diary. He still lived the nightmare every day, but it seemed that, with therapy, he was improving with time.
He had just finished when he heard voices in the hallway. He froze as he heard a very familiar voice speaking.
“Thank you, Nurse, for allowing us to see my cousin. Uncle Viktor and I are very eager to see him.”
Shaking with fear, Gunther peeked through the grill of his door’s window.
And collapsed.
And Wes and Viktor shared a secret smile. Soon they would be a threesome.
Fiction © Copyright K.R. Morrison
Image courtesy of Pixabay.com
 

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More from Author K.R. Morrison:

Be Not Afraid (Pride’s Downfall Vol 1)

Lydia’s faith in God is strong – at least on paper. But what happens when that faith is tested? Turned into a vampire by the worst – Vlad Drakul – she feels that God has abandoned her. But the opposite is true. God rescues her from a fate worse than death, and brings her into the plan He has for global redemption. With the help He sends, she feels like nothing can stop her. But when Vlad torments her again, and then her family, the temptation to run and hide is almost too strong to resist. Her answer to God’s call is the deciding factor in the battle that pits the angelic powers of God against the demonic powers of Hell.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Anna Davis @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


Image_003_June_2020Black Autumn
by Anna Davis

I met her in the midnight twilit darkness of a golden autumn moonrise. The fireflies lit up the trees near the river in which she waded like old oil lamps, showing her effervescent form amongst the woods like Aphrodite in silver, but that was just the glow of her skin. She was madness in the starlight. Her graying white gown, floating softly in the gentle waters, did not diminish her shine. Raven hair, eyes of black intrigue, and a voice that had called me here, silently. Her back was to me, but I knew she was more than aware of my presence. She kept her distance until the moon reached its apex in the sky, then disappeared from the water, reappearing around a tree to kiss me, then vanishing into the dust motes and phosphenes of a quanerenian moonbeam.
We met in those woods near the babbling river without words or expectations from dusk to the choleric half-light of pre-dawn moonglow until winter had breathed its last frost. With spring, she would be gone. I didn’t know how I knew that, but I did. Like how I knew her name when she never spoke a word. Lilia. It fit her, somehow. Like a flower, slightly damaged, in a Monet hanging in a dusty corridor somewhere, alone and unappreciated, despite its beauty. She made fate flow with pale fingers, finding solace in the waters. Her leaving was but a metamorphosis, she told me in my dreams. That was the end.
Two years later, I still dreamed of her. Still thought of her. Who and what she was, I didn’t care. I took evening walks along the pier that went out past the breakers, and it shored my soul. For what could she have been but a siren or a nymph? Something of seas and tides and moonlight. Every eve I walked the weathered boards, leaving at moonrise to pace our same path through the woods to the spring-fed waters.
It was a crisp winter dusk in a light snow on the pier when I saw her again. She didn’t look like herself, no, not this black skeletal form tied together with remnants of sinew and dripping ichor, her stringy hair trailing along her hip bones as she threw her head back and surveyed the sky with those same flat black eyes. She walked along the railing in the snow fog, not even looking at her feet. Yes, she was different, but not different enough to steal away my love for her. Her bones were beautiful; ebony, cracked in places—she must have been very old, and certainly she was very wise. The sinew and strips of muscle showed her strength—they’d lasted so long, and certainly she was a living being with these things. Had I not the same? And the ichor, the pitch-colored, viscous slime that poured from somewhere inside—what was it but a different kind of blood? The color did not bother me.
We walked back into the woods as it was getting dark. She entered the water, the usually roiling surface now still as glass, and then went under. She lay amongst a bed of river rocks, her skeleton’s dark suppuration slowly merging with the colors of the stones in glimmers of coruscation. She reached out a bony, fleshless hand to me. We would be warm together beneath the cold waters. I stepped in up to my knees, reaching out to take her hand. Charles, spoke the chill night wind, and she stopped, turned her head, and smiled at me for the first time, ragged, desiccated lips revealing teeth like razor blades, filed to points. I’d always known her smile would be special.
Fiction © Copyright Anna Davis
Image courtesy of Pixabay.com

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Ladies of Horror Flash Project – #Horror #author Alex Grey @indigodreamers @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Image_002_June_2020

Ink
by Alex Grey

Our elders say that we once wrote on paper made from the beaten pulp of trees. The precious trees. Imagine these three-dimensional beings reduced to two-dimensional sheets; of less value than the words written on them.
That was then, before the symbionts evolved and forbade such desecration. They are fierce enforcers, combining as they do the patient strength of trees and the inventive cruelty of mankind.  For now, the symbionts allow us, the humans, to inhabit our old homes in city suburbs even as the forest takes back the land around us.
I am old enough to remember my mother reading to my younger brother, Piers, and me. The words were like flames, roaring through my imagination, igniting my feelings, burning away my ignorance. I yearned for more, but even then, books were a rare and dangerous commodity. I have only a few volumes left now, the ones Piers and I escaped with when we fled from the purge. My mother’s dying screams echo through my dreams still.
The symbionts do not need books. The forest is one with them – sharing their thoughts without words; their history is written in the tree rings. They believe us to be deaf, dumb, inferior. We scratch a living, existing only on that which the symbionts grudgingly give us. We cannot sow or reap – our days of taking are over.
I would give in and die of despair and starvation, as many did when the symbionts came to power. But I, and a few others, still have words to inspire us, though we dare not speak or write openly. We meet when we can, gathering in barren places to read a priceless book. We take just one book at a time – it is all we can afford to lose if we are exposed.
A knock disturbs my reverie. When I open the door, there is no-one there, but a tiny vial of indigo ink sits on the doorstep. We lack the symbionts’ innate telepathy, but we are cunning and have found another way to communicate without words.
Piers nods and goes out to the back yard, taking a shovel with him. Our books are buried deep, but it is our turn to take one to tonight’s gathering. We have chosen a volume by a man named Oscar Wilde. We know nothing of his history, but I remember how my soul rocked to the cadence of his words as my mother read to me.
I take the vial, marvelling again at the complexity of its formulation. Our scientists have discovered a way to control the patterns that form when the ink is dripped into water. Their dedication is remarkable. Each batch is unique and coded to deliver a single message. I do not know who they are or where they are based – the unknown cannot be betrayed. What I do know is how to read the patterns.
I let ten drops fall into the glass, the ink swirls, the message clear – midnight at the South Beach. It is a good place, the wind-scoured sand is bare of spying trees and the rhythmic beat of the waves will drown our whispered reading. The message dissipates as the ink mixes with the water. Of necessity, the message is short-lived, the consequences of discovery are terrible and fill my bones with fear.
Suddenly, the front door crashes open. Three symbionts stride into the room, their eyes filled with horror as they look at blue-stained water. Attuned as they are to the plants that surround us, they know that we have snatched and murdered many berries to make this ink.
I grab the glass and run out of the back door, but it is too late. Piers is already staked out on the ground. He screams and screams as a symbiont carefully cuts a slit in his belly and plants a cherry sapling, gently spreading the roots under the skin. As the tree grows, Piers will be consumed, slowly. He will die within a few weeks; if he is lucky.
 “Drink!” Piers shouts as he sees the glass in my hand.
I take a mouthful and swallow quickly before running to him, throwing as much of the liquid into his pleading mouth as I can. He licks his lips greedily, desperate to catch the liquid streaming over his face. His limbs convulse against their bonds as the poison takes hold – the fragile cherry tree topples, ripping his skin as it falls, but Piers is past caring.
The purple-black Belladonna berries that we use to make our ink are deadly. Too many of us were caught; too many suffered before we learnt the necessity of a swift death.
The symbionts are gathered around the stricken cherry sapling, distracted.
I run into the forest, wondering whether I can escape, but my legs suddenly fold beneath me. I lie on a dense carpet of fallen leaves. Delirious, the branches far above me become scribbled words – To lie in the soft brown earth, with the grasses waving above one’s head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace.
I feel my life ebbing away. This is a beautiful death — the words were worth it.
Note: Quote taken from Oscar Wilde’s short story The Canterville Ghost
https://www.goodreads.com/quotes/12366-death-must-be-so-beautiful-to-lie-in-the-soft
Fiction © Copyright Alex Grey
Image courtesy of Pixabay.com

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More about Alex Grey:

After a lifetime of writing technical non-fiction, Alex Grey is fulfilling her dream of writing poems and stories that engage the reader’s emotions. Her ingredients for contentment are narrowboating, greyhounds, singing and chocolate – it’s a sweet life. Her poems and short stories have been published by a number of ezines including The Siren’s Call, Raconteur and Toasted Cheese. One of her comic poems is also available via a worldwide network of public fiction dispensers managed by French publisher, Short Edition. Alex’s original view of the world, which shines through her writing, has led to her best friend to say “For someone so lovely, you’re very twisted!”

Please click here to discover more! 

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Ladies of Horror Flash Project – #Horror #author Christina Sng @ChristinaSng @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!


Image_001_June_2020Demon Night
by Christina Sng

I welcome the light.
It has kept me alive
Since demons

Poured through
The open wormhole
In my laboratory.

They have devoured
Everyone there
And now they prowl

The residential streets,
Waiting for someone
To slip up

And leave a door
Or window open
For them to enter.

I see their shadows
Outside my window,
Curved claws tapping

To test the integrity
Of the glass, if they can
Easily smash it open.

But the windows will hold
As long as they are
Sealed and locked.

Triple-paned, triple-walled.
This was a precaution
I took long ago.

I shine my torch
At them, listen to them
Sizzle and burn

Until all that remains
Are the faint wisps
Of smoke

Swirling lost
In the darkness,
Fogging up my window.

I draw the curtains,
Keep the generator alive,
And wait for the sun to rise.

Fiction © Copyright Christina Sng
Image courtesy of Pixabay.com

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More from Christina Sng:

A Collection of Nightmares

Hold your screams and enter a world of seasonal creatures, dreams of bones, and confessions modeled from open eyes and endless insomnia. Christina Sng’s A Collection of Nightmares is a poetic feast of sleeplessness and shadows, an exquisite exhibition of fear and things better left unsaid. Here are ramblings at the end of the world and a path that leads to a thousand paper cuts at the hands of a skin carver. There are crawlspace whispers, and fresh sheets gently washed with sacrifice and poison, and if you’re careful in this ghost month, these poems will call upon the succubus to tend to your flesh wounds and scars.
These nightmares are sweeping fantasies that electrocute the senses as much as they dull the ache of loneliness by showing you what’s hiding under your bed, in the back of your closet, and inside your head. Sng’s poems dissect and flower, her autopsies are delicate blooms dressed with blood and syntax. Her words are charcoal and cotton, safe yet dressed in an executioner’s garb.
Dream carefully.
You’ve already made your bed.
The nightmares you have now will not be kind.
And you have no one to blame but yourself.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Linda Lee Rice @Sotet_Angyal #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Image_004_June_2020

What We Have Become
by Linda Lee Rice

When the insurgence began, our ancestors fled to the tunnels and sewers. They carried with them the survival items they would need for what they thought would be a short time. Food, water, clothing, flashlights and lanterns, such as the one you see here.
But time passed and the world did not become the Utopia that was planned. Riots, looting, and killing was the normal, so our ancestors stayed in the sewers and tunnels. Every so often, someone would volunteer to go above and scout out the world beyond but never returned.
So, our ancestors began to change as the years passed. Clothing became scarce, so hair grew to cover bodies to keep out the damp and cold. Eyes became larger, with slits that widened in the dark to be able to see, because the flashlights darkened, and the lanterns ran out of fuel.
We still had food of a kind and the water, although it smelled bad, was drinkable. So, we blossomed under the ground like a fungi…pale, quiet footed, and ears that rotated to any sound. We evolved into…something else.
The lantern was placed on the stone as a symbol of what we were and where we came from. Forgotten memories only told as stories now over the warming fires of wood which drifted through. The fifth generation of those who went underground and didn’t surface again listened to these stories and wondered.
We had a language, not quite the language that was brought down, but a combination of several languages along with hand signs and signals. After all, when you’re hunting for food, you must be fleet footed and quiet among the tunnels and sewers.
Our teeth changed shape and became sharper, pointed to make it easier to rip our prey apart since we didn’t have the niceties of forks and spoons. Ah, but the sharp knives! Those we had, carefully sharpened for ready use.
As I write this, I hear a noise in the tunnels that’s unfamiliar. Murmurs of speech that aren’t of our kind…and my mouth waters.
Fiction © Copyright Linda Lee Rice
Image courtesy of Pixabay.com

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More about Linda Lee Rice:

me in burgandy hat2

Linda Lee Rice aka Ruzicka has poetry published in Twilight Times, Dark Krypt, Fables, Descending Darkness, Writing Village, Spine, and Page, Muses Gallery, Bloodbond, Lycan Valley Press Publishers, Alban Lake, Highland Park Poetry, Rosette Maleficarum, The Siren’s Call, Edify Fiction

and the June Cotner anthology, “House Blessings” and “Garden Blessings

She has short stories published in The Grit, and Reminisce, Haunted Encounters: Friends and Family, FrostFire Worlds. Plus, a personal essay at Mamalode. She also has various articles and blogs published online as a freelance writer.

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Posted in Authors, Dark Fiction, flash fiction, FREE, Horror, Ladies of Horror, Writing Project | Tagged , , , , , , , | 3 Comments