The Ladies of Horror Flash Project – #Horror #author Marge Simon @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Blood Sisters 
by Marge Simon 

Thanks for the light, lover. Come close, I shall tell you a secret about me and my sisters. Tonight, you may call me Carmilla. Born of landed gentry, a life of leisure lay ahead until I was courted by a certain Count. You might say he gave my death – er, life, new meaning. By mutual consent, we enjoy an open union.

My closest sister, sweet Aimee, traveled from Paris to the Colonies in 1868. She settled in postbellum New Orleans and became a respectable mistress, and later, an elite Madam. Adventurous Delphine took off for the Libyan Desert, hoping to sample Rommel’s blood in ’41. Sometimes we see her face depicted outside bars in Cairo where various pleasures may be procured. Miriam left for Bangladesh in ’63. She was the religious one, though meditation didn’t work for her. Still, she likes that filthy place, perhaps for its music, but more likely for the ease of sanguine samples. Ling is the oldest of us all, certainly the most talented as well. She pens songs for rock stars, assists in their success or failure depending on her inscrutable mood.

Many years have passed since we were turned, yet our faces are ageless.  Though the wine is better quality, the blood is thinner. Manhattan’s neon lights form irreal colors, incredible as our own undead lives. New Year’s Eve we gather to watch traffic from my flat, dots moving along the horizon like a zircon necklace. We toast the new year, for tomorrow promises passions we have yet to know.

.

Fiction © Copyright Marge Simon
Image courtesy of Pixabay.com 

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More from Marge Simon:

Victims_MargeSimon

Victims
by Marge Simon and‎ Mary Turzillo

The title of this collection sets you up for the surprise of lyrical stories of victimizations with unexpected endings for the villains. Be ready to have your heart opened and cheer for perceived victims, human (made and unmade) and other life forms, victorious in the hands of these two award-winning poets. —Linda D. Addison, award-winning author, HWA Lifetime Achievement Award recipient and SFPA Grand Master.

Across histories and cultures and from Auschwitz to Babylon this book leaves you questioning who are the victims, and regardless of your conclusion you’re likely to get throat-punched. This is horror where everyone has a knife, and is ready to deliver this message: “Remember, you are always guilty. —Herb Kauderer, author of Fragments from the Book of the After-Dead.

Simon and Turzillo have only gone and startled me again. What a collection! Brutal. Beautiful. This quiver of poems strikes with the unflinching truth of persecution and oppression as seen through the lens of feminism. Prepare to come away bruised and yet strangely bolstered by Victims, a symphony of sadness orchestrated by two masters of dark poetry. —Lee Murray, Bram Stoker and Shirley Jackson Award-winner.

This is one of the braver dark poetry collections I’ve seen in a while. Horror poets generally employ victims in their work, but the focus is generally on the Evil. Turning the camera the other way is unusual, unsettling, emotionally risky, and surprisingly effective. From their stark opening take on Pygmalion, to the ending poem about the wasted life of Stateira of Persia, this powerful collection teases apart an impressive number of the threads of victimhood. Some are the usual cases, but quite a few are surprises, or reversals, or cases with unexpected layers. There is nothing repetitive about this collection. —Timons Esaias, winner of the Asimov’s Readers’ Award and the Winter Anthology Contest

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Amanda Worthington @AmandaW58679588 @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

O Brave New World that has such people in it
by Amanda Worthington

The god in her massages her brain

And she tries not to faint

.

The glasses she wears

Came from a corpse she encountered

In an abandoned library

.

She had brown skin like hers

.

She does not know her own name

But the dead woman was called Miranda

It was emblazoned on the badge she wore

Like a cipher

.

And it felt powerful

Like it alone

Could keep the tempest at bay

.

And so she wears it like armor

As she ascends the pulpit

Not quite knowing what she’ll say

.

She prepares to read

And they listen, faces upturned

Eager to receive the ghosts

That spring suddenly to life

In the rich dark of her eyes

.

The assembled crowd blurs before her

She feels them shift uneasily as she begins:

.

“We are stories in the end

Our truths are stitched into our skins

Which bind our pages

Your gods within will soon awaken

They will rage drunkenly until they settle

Into the rhythm of you, their new hosts

.

You will remember then the days of sun

And how the ash darkened our skies

And how the First Ones

Ate it in handfuls

Hoping maybe it would revive them

Knowing as they did what it really was

Less fortunate bodies reduced

.

You must be prepared to consume flesh this time

Before it is dust

And when you do, you must trust in the power of the act

Vow that you will remember the form your meal last took

Promise to speak the departed’s story

Every day

.

And you must not ask what I am

I’m afraid I ask the only questions here

.

Here’s my final one;

Will you be saved?

The promised land beckons

To the brave

But the price of entry

Isn’t a thing

Every soul can afford”

.

She turns to a fair woman

Who has blanched noticeably

The pink receding from her cheeks

Like a tide that only ebbs, recedes

Retreats forever

.

Several women nod

They are the hard kind who will outlast the men, she knows

Some of these darker, larger shapes draw knives in hunger

But they are fewer than she’d imagined

.

And when Miranda steps down, she feels shaky

Falls to the earth

Struggles to rise

And wonders at the looks on the faces

Of those who had drunk

The god’s sermon down

Like communion.

.

The blonde woman reaches a hand down

Helps the fallen child to her feet

Kneels to her height

“You’re so young…none of this is right.”

.

She goes on then

Fades into the shadows

And the night rushes in to fill

The void her passing leaves

And it is blessedly quiet

.

And the girl thinks only of sleep.

.

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Wicked Deeds: Witches, Warlocks, Demons and Other Evil Doer’s

Sometimes wicked people do wicked things simply because they can… The twelve stories in Wicked Deeds tell tales of witches and warlocks with ill intent, devilish demons bent on destruction, and other doers of evil who make the world a terrifying place. What is a mother to do when her daughter is gifted but lives under the thumb of her fanatical preacher husband who will brook no talk of the supernatural? What of a demon so desperate to free himself of a trap that he will force another to repeat his atrocities and condemn a young boy to his demonic fate? Or maybe the story of a crotchety old witch with a score to settle against the town she lives in is more to your liking – what evil will the seemingly harmless town-crazy call upon when faced with an ultimatum? If you’re looking for wicked people with supernatural abilities doing wicked things, this is the collection for you!

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Ela Lourenco @ElaLourenco @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Offspring  
by Ela Lourenco 

.

As you kick in my belly

The sun shines on me

It is just the two of us now

How it was always meant to be

Here in the place that time stood still

Where the outside is not welcome

And dare not come

I have sold my soul to the devil

For you sweet child of mine

I have no regrets

The man who would be your father

Was unworthy and cruel

For you my sweet child

I ripped out his still beating heart

None shall lay a hand on you

It will be only you and me

Forever…

.

Fiction © Copyright Ela Lourenco
Image courtesy of Pixabay.com.
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More from Ela Lourenco:

awakeningDragon Born: Book Three
Awakening

The Royal tournament, the Karnac, is fully underway. But there is deception and betrayal at every turn. Unseen dark forces are at play, both within the school grounds and out with. Even the Gods are unable to help when a new threat looms over them all.The very existence of Azmantium depends on Lara fully becoming the Child of Fire and casting aside the Shadows lurking in every corner of her beloved planet.Can she overcome the challenges that await? Will the Shadows cover the world in darkness? Only Lara and her friends can change the fate of Azmantium.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Elaine Pascale @DocLaney @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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The Deer Lady 
by Elaine Pascale 

The drums beat loudly and she dances. Lost in the rhythm, she does not seem to notice those around her. She does not pay attention when the man in the hat shoves his date or when the man with the moustache calls his wife a “bitch.”

She dances as long as the drums play, her feet sounding like tap shoes even though they are clad only in tightly-bound wraps.

“You a China doll?” the man in the hat sneers.

“Look at her tiny feet.” Moustache man laughs.

They stop talking when her hips make small circles. They become so hypnotized by her gyrations that they forget to bully the women with them.

“Do not follow her into the woods,” the bartender warns when the drumming stops and the men settle their tabs.

“Do not follow her into the woods,” the regulars repeat.

The men do not listen. Later, their bodies are found, trampled by cloven feet.

No matter how old she becomes, she dances whenever there is a drum beat. Her hips still follow a sensuous rhythm that makes those who watch forget her age. Her feet tap within the bindings, hiding the secret dangers that begin when the drums stop.

.

Fiction © Copyright Elaine Pascale
Image courtesy of Pixaby.com

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More from Elaine Pascale:

The Blood Lights

They victimize all…

Jezzie Mitchell is in anguish; with her brother’s murder still on her mind, she’s noticed strange behavior among the girls in the residential treatment center where she works. Is there a connection between the contagion on Cape Cod and the deadly Bahamas vacation that changed her life?

Jezzie reaches out to former lover Lou Collins, a scholar who has chased proof of the lights for decades. Will he be able to solve the mystery of the lights in time?

Intensely competitive, reporter Bridgette Collins knows the lights are a way to secure fame in her career. And while it’ll put the final nail into the coffin of her ex-husband’s career, she vows to know the secrets of the lights. Even if it means unleashing a world-wide epidemic…

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Ladies of Horror Flash Project – #Horror #author Alex Grehy @indigodreamers @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

Little Red Grows Up  
by Alex Grehy

“Wear your best red cloak and hood

when you walk in the forest, those

woodsmen are lonely, they deserve

some good girls in their lives.”

.

That’s what Mama Goose always

said as she sent her daughters

to ‘see grandma’ with their goodies 

in exchange for hard cash.

.

Well, that wasn’t me.

.

When my day came, I said NO!,

Mama got out her whip. But I trussed her

and plucked her, used her white down

for a headdress, set my poor sisters free. 

.

The first hunter I met thought my outfit

quite fetching, he put down his gun,

got undressed, never suspecting. 

Do you like my warm camouflage coat?

.

So on to ‘grandma’s’, where a lusty great

wolf lay in a sordid, stained bed. What big ears,

what big eyes, what a big…oh, that’s a shame.

Do you like the fur trim on my hood?

.

I skip down the path, singing 

tra-laa as I go. I hear the three pigs

are in town. They don’t know it yet,

but they’re guests at a barbecue.

.

Fiction © Copyright Alex Grehy
Image courtesy of Pixabay.com

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More from author Alex Grehy:

147443997_865719290883677_3441953034998826390_n

After a lifetime of writing technical non-fiction, Alex Grey is fulfilling her dream of writing poems and stories that engage the reader’s emotions. Her work has been featured by a wide range of publications including Siren’s Call, Raconteur, Bookends Review, and Toasted Cheese. One of her comic poems is also available via a worldwide network of public fiction dispensers managed by French publisher, Short Edition. Her ingredients for contentment are narrow boating, greyhounds, singing and chocolate. It is a sweet life, yet Alex’ original view of the world has led to her best friend to say ‘For someone so lovely, you’re very twisted!

Please click here to discover more!   

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Ladies of Horror Flash Project – #Horror #author Sheri White @sheriw1965 @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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That Last Innocent Summer
by Sheri White 

We were only twelve that summer when it happened. My friends and I had gone to the woods like we did every day. We usually had it all to ourselves, but that day we saw a woman standing in our favorite spot. Her clothes were old-fashioned and all black. She stood completely still with her back to us.

“Who is that?” Sammy whispered.

“I don’t know,” I whispered back. “Maybe someone’s grandma?”

“Whoever she is, I wish she’d leave. She’s blocking the swing,” Boner said in a whiny voice. He always had a whiny voice.

There was a rope swing we used to jump into the water. It had been there as long as we could remember; we don’t know who put it up, but it was a blast. The woman grabbed it with a gnarled hand, as if she knew we wanted to use it.

“Damn it. I wanted to go swimming.” Boner whining again.

“Me too. What is she doing?” Sammy asked.

“Maybe she’s got grandkids in the water and she’s keeping an eye on them?” Boner suggested.

“Maybe,” I said. “But why is she dressed like that? It’s so hot out. She even has a hat on.”

“It’s a bonnet, numbnuts.” Sammy rolled his eyes at me. I elbowed him back. “Let’s just go ask her if we can use the swing.”

We approached the woman. One of us stepped on a twig and she turned her head to look at us.

We screamed when we saw her face. Her eyes were jet black, set in a gray and wrinkled face. She let go of the rope and pointed at us with a bony finger, the long chipped nail yellowed and claw-like.

She grinned at us then, showing broken and jagged brown-stained teeth. She screamed and came at us fast.

“Run!” I screamed.

We took off screaming and crying.

“What is that? What is that?” Sammy kept repeating.

A few minutes later we couldn’t hear any cackling. “I think she stopped chasing us,” Sammy said.

We stopped to catch our breath, hands on our knees. We all had sweat dripping from our foreheads.

I stood up and turned around to see if she was still behind us, hoping she wouldn’t be. But there she was, standing—no, floating—between two trees several hundred feet behind us, watching us. She threw her head back and laughed, an inhuman sound that terrified me to my soul.

Sammy and Boner turned at the horrific scream. “We gotta go!” yelled Sammy.

Before we could run, the witch—and I don’t care what anybody said, that’s what she was—came at us impossibly fast, her arms reaching out and her dirty, broken toenails dragging through the dirt. Her stringy black hair flew around her face.

She grabbed Boner by the front of his shirt and pulled his face close to hers. Her black dead eyes stared into Boner’s blue ones. His mouth opened but he didn’t scream—he moaned, a low guttural tone—and didn’t even stop to take a breath.

The witch backed away slowly, dragging Boner with her.

We didn’t try to save him; we just stood there as they disappeared into the woods. I hate myself for that.

I saw Boner before the trees swallowed them up. He turned and looked at me and what I saw haunts me to this day.

His eyes were wide and completely black like the witch’s eyes. And his hair was now a shock of white. He hadn’t stopped moaning; I could hear the godforsaken sound emitting from his open mouth.

***

Nobody believed Sammy and me when we said a witch took Boner away. The cops told our parents that we were in shock and our traumatized minds made that part up.

That explanation made no sense to me.

There were search parties, of course, and pleas from Boner’s parents on TV to return their son to them, but I knew he was gone for good.

***

It’s been twenty years since that terrifying day. After my parents passed, I moved back into my childhood home they left to me. Sammy had moved away the day we graduated high school and never looked back. We never talked about what happened and kind of drifted away from each other in our teen years.

Lately I’ve heard cackling and laughter from the woods behind my house in the middle of the night. The witch is back, if she ever even left.

But now I also hear Boner moaning from the woods behind my house. Sometimes he calls my name, calling out for me to help him. And I know I should stay away, stay safe in my house at night.

Maybe this time, though, I can save him.

.

Fiction © Copyright Sheri White
Image courtesy of Rie Sheridan Rose.

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More from Author Sheri White:

sw`Don’t Turn Out the Lights: A Tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark

Featuring stories from R.L. Stine and Madeleine Roux, this middle grade horror anthology, curated by New York Times bestselling author and master of macabre Jonathan Maberry, is a chilling tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark.

Flesh-hungry ogres? Brains full of spiders? Haunted houses you can’t escape? This collection of 35 terrifying stories from the Horror Writers Association has it all, including ghastly illustrations from Iris Compiet that will absolutely chill readers to the bone.

So turn off your lamps, click on your flashlights, and prepare—if you dare—to be utterly spooked!

The complete list of writers: Linda D. Addison, Courtney Alameda, Jonathan Auxier, Gary A. Braunbeck, Z Brewer, Aric Cushing, John Dixon, Tananarive Due, Jamie Ford, Kami Garcia, Christopher Golden, Tonya Hurley, Catherine Jordan, Sherrilyn Kenyon, Alethea Kontis, N.R. Lambert, Laurent Linn, Amy Lukavics, Barry Lyga, D.J. MacHale, Josh Malerman, James A. Moore, Michael Northrop, Micol Ostow, Joanna Parypinksi, Brendan Reichs, Madeleine Roux, R.L. Stine, Margaret Stohl, Gaby Triana, Luis Alberto Urrea, Rosario Urrea, Kim Ventrella, Sheri White, T.J. Wooldridge, Brenna Yovanoff

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Lisa Harris @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Of coarse there’s still Vampires in Hollywood 
by Lisa Harris 

The moon bleeds on your frozen face
The heart in my hands – still beating
Neon screams as the city roars
Frenzied pleasure feeding
.
Hunger drove the switchblade
down the alley
too far
Stalking the wrong shadows in the dark
.
Now the garbage you swore you’d climb out from
Your ragdoll body rests under
Another lost kid
the sun won’t see
Another meal
for the
Hunter
.
Fiction © Copyright Lisa Harris
Image courtesy of Rie Sheridan Rose.
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Ladies of Horror Flash Project – #Horror #author Sheikha A. @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Hansel Loses Gretel 
by Sheikha A. 

It begins like a whisper –
provocative fluttering –
dime-sized hole parting
its lips in a slow yawn.
.
The smell of burning flesh
intoxicating like garlands
of decoy-arum. Turgid
heat enveloping his mind.
.
A blue halo flickers
like an Arabian dancer,
hips widening in girth –
vortex of escape.
.
There is an energy prying
from beyond – familiar
past, smelling of burning
future. Flakes of dry fire
.
swirl as graceful atoms –
bonding to his skin – divine
like quick silver; he looks
like their mother’s magic
.
that saved their father
that night. This could be
his chance to rotate the past –
hold it stagnant – the spells
.
he slept with under his dreams.
Gretel nourished on poison –
little girl on a bed of candies –
some things had to be changed;
.
she has been plucking cakes
from walls that no longer exist.
A fire hearth brews wild caramel
while she sleeps. He must leave
.
to find her again – discover
the path to their never-home –
where father drew them deep.
The vortex before him pulses.
.
Visions of their voyaging –
forest to forest – Gretel’s body
famished and foraging – her eyes
hunting; never ceasing.
.
Fire billows inside her
like moon’s silver rain.
.
He steps one foot into the vortex,
in a flash, he’s back home –
before the hunt –
before the fire.
.
He finds mother farming
tomatoes – red plasma cells –
thick and coagulant; ripe as liver.
Gretel eating and eating – ravenous.
.
And then, fire. Arms of wild gold
embracing their mother’s veins.
The plunge of the stake is abrupt
like confusion when pain isn’t felt
.
only seen. Their mother’s eyes
turn lifeless. Father’s hand stabs
into his arm. Gretel in cue.
The vortex unzips its chest;
.
brother and sister thrown
into future – into never –
only he lands on the other side.
He watches Gretel from a mirror;
.
she stares at the throbbing eye
she thinks she knows. Mother
urging from beyond – plying
hand reaching for hers.
.
Gretel will never be found,
his mind blurring as she resists.
The vortex narrows its lips –
all that was will be what is.
.
She doesn’t stir from addiction,
teeth cherry-grimed, ravishing
the moon shadowing in liquorice.
Tonight’s rain will be black honey.
.
.
Fiction © Copyright Sheikha A.
Image courtesy of Rie Sheridan Rose.
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More from author Sheikha A.:

Screen Shot 2019-12-17 at 10.57.17 AM.pngNyctophiliac Confessions:
Poems by Sheikha A. and Suvojit Banerjee

“The night is cold enough to inspire poetry,” says Sheikha A. in her poem, “Reading My Bones.” This is the basis of Nyctophiliac Confessions – poems that are introspective and luminal, poems that require a certain amount of silence and space to be fully formed and appreciated. Reading these poems, I imagined that they were the kind of poems that assert themselves unbidden during a bout of insomnia. (A nyctophiliac being someone who loves the night or loves darkness).

Nyctophiliac Confessions is the 17th installment of Praxis’ chapbook series and contains twenty-six poems written by two poets, Sheikha A. and Suvojit Banerjee, interspersed with abstract paintings by Robert Rhodes.

Available Here!

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Ladies of Horror Flash Project – #Horror #author Selah Janel @SelahJanel @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Whistle a Deadly Tune 
by Selah Janel 

Sasha didn’t know where death was, but it was somewhere behind her. Through the panicked beating of her heart and the rush of blood in her ears, she heard the whistling.

It had started out tuneless when she’d begun her errands, just like the thing in her peripheral vision had begun as a blur and a brief feeling of existential dread.

She’d tried to go about her day, but everywhere she went, it followed. There were no footsteps behind her at the post office, no definite sightings of a stalker at the grocery, but as she navigated what should have been her catch-up time on an otherwise sleepy Saturday morning in small, rural Andersville, it followed. Somehow, she knew that if it caught her, she’d never escape.

Somewhere in the farmer’s market, the whistling also gained a tune. What had started as bright, brassy, and off kilter enough to be unsettling plunged into a minor tune, a dirge that was meant for her.

She couldn’t shake the nagging, cold fear building in her stomach. Every time she turned, something slid away from her field of vision.

She thought she’d found peace in the library, among the new titles waiting to be discovered. Sasha had reached her hand to pluck her holds from the designated shelf, when the tune crept among the pages, trickling between the book spines for her and her alone.

Sasha left her car in the lot, left her duties, left everything behind as she bolted for the makeshift wooded area across the street. She ducked into the open gate of the family garden that held little verses etched in stone and sculpture along a winding path.

The tune picked up into a jig.

She pushed down the path past a mother with a stroller, ignoring the put-out expression and the Cheerios her toddler dropped. At least the crying covered the damn whistling.

Leave me alone!” she shouted, wincing when she stumbled and her ankle twisted. Faces turned to give her withering looks, and she pushed past the hot flush of embarrassment and flash of pain up her leg. She was used to carrying on. She’d just deal, keep going as she always did with work, obligations, the thousand things on her to do list. She’d keep going about her day and try not to die.

As if it caught on to her resilience, the tune slid into the lullaby her mother used to sing. Revulsion curled her stomach, and Sasha took off across the garden in a jog, gritting her teeth against the jabs of discomfort that stabbed into the muscles of her right ankle with every step.

The sing-song melody of the solo she’d been so proud to perform in her seventh grade concert and hadn’t thought about since followed her. It became the pop song she’d danced to at prom. The final hymn of her grandmother’s funeral. The song she’d heard in the grocery that morning.

Stop!” She covered her ears and bolted through the exist at the other end of the garden. At the last minute, she pushed into the trees at the far side of the garden, curled into a ball in the tall grass and undergrowth, and waited for it all to pass.

It’s in my head. It’s all in my head! It took a few minutes to realize that the only sound she heard was her ragged breath and the occasional chirp of a bird. She panted out a laugh, wiped her face with a damp hand, and sat flat on the grass to take the pressure off her ankle.

Sasha winced as something jabbed her hip and pulled a smooth, flat stone from underneath her hip. It took a moment for her attention to pull outward again as she turned the rock in her hand.

It took a moment longer to take in the music notes that didn’t look to be part of any installation, but were of the rock itself.

The hairs on her arm raised as she terror built once more, deep within her.

She felt a presence behind her and knew if she turned, she’d see what that blur was.

The whistling warbled low, pleased, and right in her ear. She vaguely recollected enough sight reading from her choir days to realize that it was the same brief collection of notes as on the stone.

She also knew enough to know that there was no repeat signature, and that this was the end of the tune.

Fiction © Copyright Selah Janel
Image courtesy of Rie Sheridan Rose.

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More from Author Selah Janel:

Mooner

Like many young men at the end of the 1800s, Bill signed on to work in a logging camp. The work is brutal, but it promised a fast paycheck with which he can start his life. Unfortunately, his role model is Big John. Not only is he the camp’s hero, but he’s known for spending his pay as fast as he makes it. On a cold Saturday night they enter Red’s Saloon to forget the work that takes the sweat and lives of so many men their age. Red may have plans for their whiskey money, but something else lurks in the shadows. It watches and badly wants a drink that has nothing to do with alcohol. Can Bill make it back out the shabby door, or does someone else have their own plans for his future?

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Nikki Blakely @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

When Jacob Comes Calling
by Nikki Blakely

The knock on the door came at a quarter past six.

Fathers arm jerked in surprise, and the spoonful of soup that had been enroute to his mouth splashed a crimson shade of tomato onto the stark white of his Sunday best. His thick brow furrowed and he cast mother a begrudging look. He hadn’t wanted to wear it, but she’d insisted. Twasn’t often we have dinner guests, she’d told him, and certainly none the stature of Father McDormand. Then there was Samuel Witkins, his younger brother Henry, and their mother and father to take into account. 

“We need to put our best foot forward if we want to impress our future inlaws” She’d said as she’d straightened his tie and brushed a hair from his shoulder. In her mind I was already as good as married to Samuel Witkins, though as of yet he hadn’t even asked, and even if he had I couldn’t have said yes. I was already promised to another, as you well know. 

The knock came again.

It was a heavy handed knock, a tightly closed fist that landed on the wooden door with the force of a well-muscled arm — such an arm as might be made from pitching bales of hay, or from chopping thick cords of wood. It wasn’t the light tap-tap-tap of Mrs. Corrigan, our neighbor, who came often to borrow a cup of sugar or a pint of milk. Nor was it the sharp, furtive raps of children playing knock, knock, run. Nay, it was the knock of man who had business with those on the other side, and it would not be deterred. 

All eyes turned toward the door, which could only partially be seen from the curve of the dining room, and a hushed silence fell over the room. It wasn’t until Mary, the housemaid, set down the tureen of soup she had been holding and took a step toward that foyer that Mother finally spoke.

“Mary, no,” she said, raising her hand. Then, softening her face, she smiled slightly, and continued. ”I don’t know any personages of ill upbringing who would come calling during the dinner hour, and I certainly will not reward bad manners.”

The knock came again, loud and insistent.

Mothers eyelids fluttered, and she reached over and placed a slender hand on Samuel Witkins sleeve. “Samuel, your father tells us that you will be following in his footsteps at the bank next Spring?” The hand protruding from Samuels cuff looked very much like Mothers;. long, fine-boned, well-manicured. Doubtful those hands had ever touched a bale of hay, or even a single splint of wood. And equally doubtful they would ever touch me. 

I reached into my pocket, and felt the small circular ring of braided daisy stems that you’d slipped on my finger the day you’d asked for my hand. We’d spread a blanket down in the tall grass behind the stables, and spent the afternoon picking animal shapes from the clouds. You’d pressed your lips against mine, one hand slipping the daisy ring on my finger, and the other slipping up under my skirt, and I’d breathed yes, oh yes into your ear. You told me you’d go to Father that very night for his blessing. But that was over a fortnight ago, and the daisy ring was now dry and brittle.

Knock. Knock. Knock. 

Little Henry slipped from his seat, ran to the front window, pulled the heavy woolen drapery to the side, and peered out. When he turned back towards us, his face was ashen white, his eyes as big as saucers. 

“‘Tis Jacob Hill at the door,” he said, his voice trembling. 

At once Samuel was at his side, parting the drapes and looking out, his face equally as ashen when he turned.

“He’s right,” he whispered. “It is Jacob Hill.”

“Impossible,” Father said, rising from the table but Mother pulled him back. “I watched him die. We all went to his funeral.”

Father McDormand stood abruptly, his fingers gesturing the sign of the cross before clutching his crucifix. “Behold the cross of the lord! Begone unholy spirit!”

They’d told me you’d been kicked in the head by one of the horses, but Father was none too saddened by your death, and I’d doubted that was the way of it. I reached into my pocket and slipped the daisy ring onto my finger and went to open the door. 

Dead or no, we had a wedding to plan.

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