The Ladies of Horror Flash Project – #Horror #author Marge Simon @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Tomorrow’s Femme 
by Marge Simon 

Cosmetically enhanced, she combs her furred shoulders with retractable claws. She thickens her pubic hair, adds tattoos between her thighs that glow infrared when she dims the lights with an imagined lover. Modulating rainbows wheel in her eyes to disconcert even the casual admirer.

She is a transitory captive to her mirror, when even this display is not enough. As an antidote to vanity, she has coitus with a cyborg, alternating the taste of ecstasy from pleasure to pain, an unnatural karma, a bright bouquet, that fades from memory when she shuts it off.

Most often she awakens to grapple with frustration. She frequents the clubs where the bored collect, posed, decorated, poised to find her imagined lover in the shadows, but handsome features deceive, and she finds no common syntax save that of self-indulgence.

She endures the ceremonial chatter ostentatious preludes promising romance. When conversations polarize, love seems a stillborn reverie of frayed fantasies and the tedium of extended life in this sad utopia.

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Fiction © Copyright Marge Simon
Image courtesy of Pixabay.com 

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More from Marge Simon:

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Victims
by Marge Simon and‎ Mary Turzillo

The title of this collection sets you up for the surprise of lyrical stories of victimizations with unexpected endings for the villains. Be ready to have your heart opened and cheer for perceived victims, human (made and unmade) and other life forms, victorious in the hands of these two award-winning poets. —Linda D. Addison, award-winning author, HWA Lifetime Achievement Award recipient and SFPA Grand Master.

Across histories and cultures and from Auschwitz to Babylon this book leaves you questioning who are the victims, and regardless of your conclusion you’re likely to get throat-punched. This is horror where everyone has a knife, and is ready to deliver this message: “Remember, you are always guilty. —Herb Kauderer, author of Fragments from the Book of the After-Dead.

Simon and Turzillo have only gone and startled me again. What a collection! Brutal. Beautiful. This quiver of poems strikes with the unflinching truth of persecution and oppression as seen through the lens of feminism. Prepare to come away bruised and yet strangely bolstered by Victims, a symphony of sadness orchestrated by two masters of dark poetry. —Lee Murray, Bram Stoker and Shirley Jackson Award-winner.

This is one of the braver dark poetry collections I’ve seen in a while. Horror poets generally employ victims in their work, but the focus is generally on the Evil. Turning the camera the other way is unusual, unsettling, emotionally risky, and surprisingly effective. From their stark opening take on Pygmalion, to the ending poem about the wasted life of Stateira of Persia, this powerful collection teases apart an impressive number of the threads of victimhood. Some are the usual cases, but quite a few are surprises, or reversals, or cases with unexpected layers. There is nothing repetitive about this collection. —Timons Esaias, winner of the Asimov’s Readers’ Award and the Winter Anthology Contest

Available on Amazon!

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The Ladies of Horror Flash Project – #Horror #author Suzanne Madron @suzannemadron @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Bone Broth 
by Suzanne Madron 
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The recipe had been handed down by her grandmother, and so many countless grandmothers before her. Momma said Granny was losing it, was too weak to go on, but Natalie knew better.

After all, Granny had known just how to season Momma to soften her up once she’d gotten her into the huge old cast iron pot. And everyone at the church potluck said Granny’s soup was the best soup they’d ever had.

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Fiction © Copyright Suzanne Madron
Image courtesy of Pixabay.com

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More from Suzanne Madron:

For Sale or Rent

The house across the street seems to go on the market every few months, but this time nothing about the sale is normal, including the new owners. No sooner has the for sale sign come down and the neighborhood is thrown into a Lovecraftian nightmare and the only way to find out is to attend the house warming party.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Elaine Pascale @DocLaney @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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The Carriage 
by Elaine Pascale 

“There’s no one here,” Trent grimaced. He had been against this idea from its conception.

“The carriage is, though.” Molly nodded toward the bright red wagon. “Let’s go get a closer look.”

They crossed the open field in the park to reach the walkway where the vehicle was parked. It looked to be in perfect condition. “Mom always wanted one,” Molly said. They were keeping an appropriate distance from the merchandise until they could find the seller. Perhaps he was using one of the restrooms or had to return to his car for something.

“Why would your mom want one? She doesn’t have a horse.”

“When you give a gift, you don’t dictate how it’s used. She can put it in her garden for all I care.”

“Her garden?”

Molly shook off his negativity. “She will be so surprised, and you can’t beat the price.”

“You are going to pay asking price? No haggling?” He looked around. “There is no one here.”

“You said that.”

“No, I mean, no one at all. The park is completely empty. No kids, no one walking a dog…no one at all.”

Molly had to admit that it was creepy. Finding this normally active place empty was like stumbling upon someone in flagrante delicto. There was a shame involved that she couldn’t put her finger on.

Trent continued, “I hate these marketplace meetups. Just use a store or Amazon like everyone else.”

“I couldn’t get this carriage in a store or Amazon. At least not at this price.”

“It just doesn’t seem…safe. How do we know this guy isn’t a lunatic?”

“Using a carriage to lure his victims? Seems random.”

Trent tapped his forehead. “Exactly.” He sighed and looked up. “That bird had something in its mouth, right?”

She shrugged. “I didn’t notice.”

“I thought there were ball games here in the mornings…,” he continued, “…no one at all…”

“There’s a stray cat over there.”

“Very funny.” The serious look on his face provided evidence that he was not finding this amusing. “Seriously Mol, I am giving this five more minutes. If that guy doesn’t show, we are out of here. I don’t care how cheap that carriage is.”

She was coming into agreement with him. The more they stood, alone in the park, the more the carriage was losing its luster.

“I guess we should wait here.” They moved behind the carriage where it was shadier as the day was growing warm.

“That smell,” Trent said, “Is it coming from the carriage?”

“I don’t think so. There’s a bunch of crows over there.” She pointed to the dugout across the park from where they stood. “They look like they got something.”

He pulled her behind him. “And vultures over there. What happened here?”

“There’s trash in the field. Maybe there was a celebration, and the animals are making the most of—”

“—That’s not trash,” Trent managed before bending over and expelling his breakfast.

“Oh god,” she whispered, “Oh god, oh no.”

Had they entered the park from the front of the carriage, they would have received a fair warning of what had happened that morning; they would have had a clear view of the remains littering the field. Had they seen the front of the carriage, they would have noticed the dribbled pieces of flesh and blood. Most importantly, they would have noticed the monster tucked inside, that was now stirring from its sleep.

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Fiction © Copyright Elaine Pascale
Image courtesy of Pixaby.com

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More from Elaine Pascale:

The Blood Lights

They victimize all…

Jezzie Mitchell is in anguish; with her brother’s murder still on her mind, she’s noticed strange behavior among the girls in the residential treatment center where she works. Is there a connection between the contagion on Cape Cod and the deadly Bahamas vacation that changed her life?

Jezzie reaches out to former lover Lou Collins, a scholar who has chased proof of the lights for decades. Will he be able to solve the mystery of the lights in time?

Intensely competitive, reporter Bridgette Collins knows the lights are a way to secure fame in her career. And while it’ll put the final nail into the coffin of her ex-husband’s career, she vows to know the secrets of the lights. Even if it means unleashing a world-wide epidemic…

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Ladies of Horror Flash Project – #Horror #author Alex Grehy @indigodreamers @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

The House that Dorian Built  
by Alex Grehy

Brick by white brick Dorian built his fine townhouse,

its pillars of marble and pristine decoration spoke

of his power, said “here lives a man whose life

is important”; his virtues swirled round the rich paisley

patterns of the hand-printed wallpaper, stamped into

the grain of the oak parquet flooring. 

“A man of style lives here, of substance”, it said,

“who could doubt his means or his methods”?

In the woods Dorian’s house grows, sin by sin, oozing

organic from the loamy depths, hell-rooted it reaches,

hungry, for the fate-shadowed moon.

If a tree falls in the woods and there is no-one to hear,

did it make a sound? If a house stands in the wood and

there is no eye to see, does it really exist? 

So Dorian, philosopher, devoted to pleasure, believed.

But the forest has eyes of its own, and the house had a soul 

steeped in envy, craving the beauty of its respectable twin. 

The house that Dorian built with his misdeeds drew the 

gaze of the trees, begged the forest to testify and purge

it of evil, but that’s not how it works.

The magnificent townhouse mottled and warped as 

Dorian’s sins were witnessed and judged. Mildew

crept over the walls, toadstools sprang from the

rotten timber floors. Dorian, fair-faced still, but lost

in opium and lust, lay insensate as he was buried

in rubble and dust

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Fiction © Copyright Alex Grehy
Image courtesy of Pixabay.com

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More from author Alex Grehy:

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Alex Grehy’s (she/her) work has been published in a range of zines worldwide including Luna Station Quarterly, Aphotic Realm and The Sirens Call as well as anthologies published by Water Dragon Publishing and Red Penguin. Her essays on being a “Lady of Horror” have featured in the Horror Writers Association Newsletter and The Horror Tree blog. Her words are also available via a global network of prose & poetry dispensers run by French publisher Short Edition.  She is recognised for her original view of the world, expressed in vivid prose and thought-provoking poetry.

Please click here to discover more!   

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Ladies of Horror Flash Project – #Horror #author Angela Yuriko Smith @AngelaYSmith @darc_nina #LoH

The Ladies of Horror
Picture-Prompt Writing Challenge!

Marital Hiss
by Angela Yuriko Smith

Part I: Her Complaint

Late at night, your words did flow
on eternity implied with youthful glow.
With blinded trust I bared my vein
to seal a pact in crimson stain.

“You shall remain,” you promised me
“Eternal life! From death be freed.”
But when I awoke I saw the lie
in withered face and drooping eye.

I cannot forgive, forever appalled 
at your trickery and the lies you sold.
Forever young you led me to think.
My future is sunk. Your promises stink.

Part II: His Reply

By midnight chime, my love was true!
Eternal life I bestowed on you.
But your natural age I could not understand
with your makeup applied by such talented hand.

My love, my heart, I offered the same.
A timeless existence, not youthful frame.
How could I know how bodywear binds
and deceives both my thought, my eye and mind?

A vow eternal, yet love is denied
trapped by our tricks, we both now reside
as prisoners of all our misled expectations
together, a couple, in this mausoleum.

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More from Angela Yuriko Smith:

Angela Yuriko Smith is an American poet, author and co-publisher of Space and Time magazine, a publication that has been printing speculative fiction, art and poetry since 1966. Together we build a poem as a community each month. Visit “Exquisite Corpse” at SpaceandTime.net to submit.

Catch up with Angela here!

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Ladies of Horror Flash Project – #Horror #author Kim Richards @Kim_Richards @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Darkness Before Midnight
by Kim Richards 

No one knew which came first:  the wooden house or the venerable, twisted tree whose branches reached skyward like bare arms, emploring the dark skies. Rumors said the boards were carved from the tree’s siblings and it sought to reclaim them. Some believed the god of night brought both tree and cottage into this world. It might not matter whether the branches came after the house was built or if some kind of symbiotic relationship existed. The villagers understood the place should be avoided, particularly once the sun hid its face.

Lisha knew something secret about the tree—something her mother warned her to never reveal to anyone. She had been born there, beneath the naked branches and inside the dark cottage. She also knew the house was built for her bloody birth, though she had no idea if the tree or her mother built it. Asking only brought grim glares in reply.

Her mother also told her daughter the name Lisha meant “darkness before midnight” which is when her birth took place. Every year, on the same fall day, the two women shuffled through crackling leaf husks to make the long walk through the forest. They stood in the brisk darkness before the tree.

They always slept in the house. All year long, no light and no warmth touched the wooden structure. Only when Lisha “came home”–as her mother called it—and the hearth was lit.

The tree had a name too. Isolabella. Lisha asked her mother once what it meant.

Mother answered, “It means beautiful lonely one.”

Knowing names held sacred meanings to the older woman, Lisha asked, “Who named it?”

Her mother shrugged and turned away.

* * * * *

This night, the 23rd since her birth, Lisha and her mother settled into the house. A bright full moon face shone through the open window, framed by a gently fluttering curtain. The yellow tallowed candles flickered in the cool night air, casting gentle moving shapes on the walls.

From within a basket woven of grape vines, Mother pulled out an iliac bone with twenty-three curved marks carved on its surface. Lisha leaned forward to examine it more closely and realized they were images of the moon’s phases.

She opened her mouth to ask about the meaning but hesitated when her mother reached into the basket once more. Mother’s hand withdrew an obsidian knife with a blood red stone blade. Someone sharpened the surface by chipping away its edges. Lisha wondered if her mother created both the bone carvings and the blade.

Mother settled onto the floor and pulled Lisha down to sit beside her on the sheepskin rug. She began singing a low, melancholy song about the moon at midnight. Her contralto voice rose slowly until it filled the entirety of the space inside the room.

Lisha felt the vibrations in her collarbone…a pleasant thrumming. She closed her eyes and just listened. She felt her mother’s fingers comb through her long hair. Pleasant. Lovingly. Then a swift tug and release.

Lisha’s eyes opened wide. Between them squatted a shallow brass bowl. The carved bone and lock of her hair lay in the center. Mother held the knife in one hand and placed a pat of incense into the bowl with her other.

“Mother? What?” she whispered.

“Soon,” the older woman replied.

She ignited a slender stick in the fireplace and used it to activate the incense. As smoke tendrils whorled up from the pat and Mother tossed the stick into the firepit, she said, “It is nearly midnight.”

“What happens at midnight?” Lisha asked. She sat up on her knees, intending to rise to her feet. The spicy scent of the incense reminded her of the dank musk of the forest.

In a whir of movement, her mother launched herself towards her daughter. She sent the two of them tumbling to the floor.

“Darkness,” she said.

Lisha yelped and flailed her arms. Her head cracked against the wooden floorboards, biting her tongue. Salty blood trickled from the wound. The edges of her vision blurred and her limbs weakened.

Still, she saw Mother lean over her with the chipped knife clasped in her hands. The older woman’s eyes glittered in the pale light.

With a sharp stinging pain, the chipped blade pierced Lisha’s blouse and into her skin. She cried out. Hot tears filled her eyes and then escaped down her cheeks. Her vision failed her.

This is the darkness before midnight…the Lisha, the rustling voice of Isolabella whispered in her mind. For tonight it would not be lonely.

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Fiction © Copyright Kim Richards
Image courtesy of Pixabay.com

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Ladies of Horror Flash Project – #Horror #author Sheikha A. @Darc_Nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Sheba
by Sheikha A. 

to giving Venus a fire moon

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Hollow eyes spark like fated embers;

she wears a white flower on her index

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finger – trellis ivy arching the petals.

Tongues of moon-stone translucence

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nip at the night emerging from her

crown – stalks of crowing auguries.

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He sits afore her; a scarab, wingless

angel, and an old tooth line the inside

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of a wide-lipped copper dish. Her hair

silks her shoulders; skin, cream of corn.

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He was trapped the day of his first visit:

black mist invaded his senses – a moon

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yelped – touch of fire. She pours sand

between their locked gaze; dish collects

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every particle. He tells her what he sees:

a man facing eastwards, chest swollen

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with liquid cysts. He holds an urn,

the weight of graves – foetal cries –

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unbirthed skulls in broth of wombs.

Her eyes morph into colour of blood,

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lips tint by juices of soft embryo heads.

The sand complies under her trenching

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fingers; she gestures for him to read

forming ridges – hidden path of escape –

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He warns of a woman with exposed rib

cage, chest cleaved like a snake’s trail.

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Her eyes flash like ash of thunder.

His body quivers as the scarab moves

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and old tooth hobbles like a dice.

A prediction is set; man in sand

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drops the urn – whistles of heat peal

at his ears. The night grows thickly

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around her crown; she won’t be denied

the offering he has been feeding her.

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Copper dish rattles; the angel topples

to the ground. Ivy from her ring snaps

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his neck. Moon spins like white fire.

His eyes, limp opals. Her eyes, red meat.

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Fiction © Copyright Sheikha A.
Image courtesy of Pixabay.com.

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More from author Sheikha A.:

Screen Shot 2019-12-17 at 10.57.17 AM.pngNyctophiliac Confessions:
Poems by Sheikha A. and Suvojit Banerjee

“The night is cold enough to inspire poetry,” says Sheikha A. in her poem, “Reading My Bones.” This is the basis of Nyctophiliac Confessions – poems that are introspective and luminal, poems that require a certain amount of silence and space to be fully formed and appreciated. Reading these poems, I imagined that they were the kind of poems that assert themselves unbidden during a bout of insomnia. (A nyctophiliac being someone who loves the night or loves darkness).

Nyctophiliac Confessions is the 17th installment of Praxis’ chapbook series and contains twenty-six poems written by two poets, Sheikha A. and Suvojit Banerjee, interspersed with abstract paintings by Robert Rhodes.

Available Here!

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Ladies of Horror Flash Project – #Horror #author Kathleen McCluskey @KathleenMcClus4 @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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The Knight  
by Kathleen McCluskey 

In the heart of the dark and ancient woods, an eerie presence stirred. A spectral figure wrapped in a deathly white shroud, emerged from the gnarled trees. It bore an uncanny resemblance to a knight from the long-forgotten days of the Crusades. His boney hands clutched the hilt of his broadsword as he scanned the forest. The ethereal specter drifted through the dappled sunlight of the forest. The knight’s ghostly eyes like empty voids, hinted at numerous battles and untold stories.

Centuries ago the knight had faced a powerful witch that had cursed him to roam the woods for eternity. Although the curse condemned him to an ethereal existence it also granted him the knowledge and power to safeguard the mystical heart of the woods. The knight’s once shining armor had tarnished over the years and was now barely recognizable under the ghostly shroud. His sword that he had wielded in noble battles had become a weapon of an enchanted, divine nature. It had a shimmer of otherworldly light that emitted from within. It was capable of fending off any intruders who threatened the forest’s delicate balance. He had seen generations come and go, watched as civilizations rose and fell but he remained bound to the woods.

A powerful and ruthless corporation set its sights on the forest. It intended on clearing the land for profit, unaware of the guardian that stood in their way. The company’s machinery roared to life, chainsaws and bulldozers threatened to lay waste to the trees and creatures that called the forest home. But as they advanced, the spectral figure of the cursed knight materialized before them, his death shroud blowing behind him in the breeze. His ghostly presence emanated an aura of ancient power.

The battle between the corporate intruders and the spectral knight had begun. In the clearing there was a clash of ancient magic and modern technology, of nature’s guardianship and human ambition. The forest’s fate hung in the balance and the curse knight would do whatever it took to ensure the woods remained untouched.

The knight swept his broadsword up to the heavens. Dark storm clouds gathered above, thunder rumbled and lightning streaked across the sky, yet the knight stood stoically. With a mighty swing, he unleashed a torrential downpour onto the corporate intruders. Rain fell in sheets, soaking the men and short circuiting their equipment, trying to drive them away.

The knight’s power, a manifestation of the forest’s magic, had proven its might once again. The intruders, disheartened and bewildered by the sudden deluge from clear blue skies, beat a hasty retreat. Their greed temporarily stopped by forces that they could not see.

The ancient woods, and its spectral guardian, had withstood a modern threat. The cursed warrior watched as the intruders fled, ensuring the mystical heart of the forest remained protected. He vanished back into the mist to wait until the forest summoned him again.

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Fiction © Copyright Kathleen McCluskey
Image courtesy of Pixabay.com 

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More from Kathleen McCluskey:

The Long Fall: Book 1: The Inception of Horror

Lucifer always cunning and intelligent challenges father to a battle of wits. Being the angel of light he casts a judgemental eye upon mankind. He begins a war with his fellow archangels and God. Michael, along with his siblings defend their home and mankind from their deranged brother. Broad swords and hand to hand combat drench heaven in blood. The four apocalyptic steeds are released, each having their own destructive power. Betrayal and lust are at biblical levels. Understand the very creation of evil and the consequenses that transpire in the first of THE LONG FALL series.

Available on Amazon!

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Ladies of Horror Flash Project – #Horror #author Kai Wilson @Kaiberie @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Realism Down to the Pores
by Kai Wilson 

Live starts

“The air in the crypt is remarkably dry. The last three rooms had been damp-walled, rivulets of water running down in streams like vines, puddling and then slipping under the walls. The floor, though covered in debris, had a clear path in another stream, this one more solid, straight and smooth-stoned.  A flow of traffic rather than water.  One or two leaves might transgress this path, and would obviously dry, crumble, and be worn into the floor. I looked down to one side, training my torch against the doorjamb, and saw a skeleton leaf, the flesh melted away, leaving a ghost outline in veins and dust.”
Under her breath, she said “God, I sound so lame,”

The door to the crypt was heavy, but when she pushed it, there was a change in the air. A…dryness that spread back from the room.  A little barrier, almost. It felt like she was stepping through a veil. It wasn’t quite solid, instead it was a feeling, that tingled across her skin, goosebumps raising under her jumper. The arm in front of her that had moved the door open, which swung, as you watch back again, in eery silence, comes back and starts rubbing at herself as if she’s cold. A plume of breath suddenly appears at the bottom of the frame.

The lights flickered again, a hand briefly passing into view, but the light seems to be steady again after a second, so she continues to pan.

“This room feels different,” she said, then jumped a little startled. “Sorry, I forgot I needed to keep talking, this place is stunning,”.  The view keeps panning. “Look at this room,”

It’s clear from the pan that these walls are dry, different from the description or prior images.  It’s almost as if it’s a separate building.  Sandstone golden instead of green and damp.
“This is the first time I’ve been in here,” she added continuing to pan. There are clear engravings, deeply shadowed and highlighted in the flashlights, but if you watch as they move, they look somehow…wrong.  Like they’re slithering or fading away as you pass over them

She reached the point directly in front of her and there’s a shape in the gloom, just out of camera view, where the light wouldn’t meet, hesitated, then kept panning.
“This room is longer than it is wide, and there are stairs beneath me, though, given how old this place is, I can’t believe how good a state this place is in.”
There’s a scrape off camera though, and the image tumbles, wobbles and becomes poorly lit. A blur of black, green, grey and sandstone passes before it steadies to look at a sandy path, with a couple of dots of dark, shiny blood. There’s panting and a bit of swearing on the live.

The lighting flickers again, and the view changes, jerkily looking up and along the path, and illuminating the bottom of a dais, moving up past a dress, a pair of clasped hands, and a shadowed face, positioned as if they were leaning forward, watching.  Possibly waiting to move to help.

“Oh crap,” she said, then let out a shaky laugh, and continues, “Can you see this?”

The camera is unsteady again, and there’s a view of dusty shoes, dusty jeans, and scraped hands.  It’s obvious she’s looking at herself and trying to work out what happened.  Her gaze seems to raise after a second, and she examines the statue more closely.  A hand reaches out, touching the knee, then the hand.

“It’s cold, but the knee feels like a dress.  Like the soft texture of material. The hands…” there’s a pause, “the hands are so unusual, but are just as cold, stone, and with a skin-like texture under my fingers.”  As the footage looks past the hands, you can hear her breath catching in her throat.
“Do you…” she says and begins to reach for what looks like a veil, so realistic, but obviously carved into stone.  As she does, as she moves, the light falls on the area behind her, and there are wings, curving from her shoulders, up onto the wall.
And they are not stone.
The noise comes again, and they move….

Live ends

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Fiction © Copyright D. Kai Wilson-Viola
Image courtesy of Pixabay.com

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About Author Kai Wilson:
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D Kai Wilson-Viola aka Kai, writes in all genres.  She’s currently gearing up to release Lots of books, including some horror as Sabrann Curach.  She is a tiny bit obsessed with serial killers, and this is the start of one of her next series…an amuse bouche of sorts. This story will continue in an upcoming book.
When not writing, she can be found gaming, taking part in Ludosport (lightsaber duelling and training) or taking photos with her family in the Cotswolds, where she lives.

Find Kai Wilson on Facebook!

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Ladies of Horror Flash Project – #Horror #author Sheri White @sheriw1965 @darc_nina #LoH #fiction

The Ladies of Horror
Picture-Prompt Writing Challenge!

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Halloween at Blood Manor
by Sheri White 

Every small town has its haunted house. In Springhaven, it’s Blood Manor, known as Broad Manor before the family was murdered in their sleep.

The killer was never found.

Kids and teens were always approaching the house, looking in the dirty cracked windows, hoping to see something gruesome, but the murders happened in the upstairs bedrooms. Still, that didn’t stop them from boasting to their timid friends that they saw blood on the floor, or a ghost floating in the living room.

What the kids didn’t know was that the house itself was alive. And while it had slept for several years after the murders, satiated, it was now waking up.

No killer had been found because there was no killer. No human killer, anyway. The police reported that the victims had been butchered in their beds. As if a wild animal had attacked them and chewed on their flesh, barely leaving anything but blood behind for identification.

They were chewed up because the house ate them. The floors and ceilings of the rooms met each other like teeth chewing bubble gum until the bodies were pulp in the sheets.

Now that Halloween was only a few days away, the house began to prepare. Trick or treaters would be attracted to the spookiness of the house, and the house would be happy to let in those foolish enough to take a dare and go inside.

The house isn’t just hungry, it’s ravenous. And now, it finally gets to feed.

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Fiction © Copyright Sheri White
Image courtesy of Pixabay.com

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More from Author Sheri White:

sw`Don’t Turn Out the Lights: A Tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark

Featuring stories from R.L. Stine and Madeleine Roux, this middle grade horror anthology, curated by New York Times bestselling author and master of macabre Jonathan Maberry, is a chilling tribute to Alvin Schwartz’s Scary Stories to Tell in the Dark.

Flesh-hungry ogres? Brains full of spiders? Haunted houses you can’t escape? This collection of 35 terrifying stories from the Horror Writers Association has it all, including ghastly illustrations from Iris Compiet that will absolutely chill readers to the bone.

So turn off your lamps, click on your flashlights, and prepare—if you dare—to be utterly spooked!

The complete list of writers: Linda D. Addison, Courtney Alameda, Jonathan Auxier, Gary A. Braunbeck, Z Brewer, Aric Cushing, John Dixon, Tananarive Due, Jamie Ford, Kami Garcia, Christopher Golden, Tonya Hurley, Catherine Jordan, Sherrilyn Kenyon, Alethea Kontis, N.R. Lambert, Laurent Linn, Amy Lukavics, Barry Lyga, D.J. MacHale, Josh Malerman, James A. Moore, Michael Northrop, Micol Ostow, Joanna Parypinksi, Brendan Reichs, Madeleine Roux, R.L. Stine, Margaret Stohl, Gaby Triana, Luis Alberto Urrea, Rosario Urrea, Kim Ventrella, Sheri White, T.J. Wooldridge, Brenna Yovanoff

Available on Amazon!

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