The Ladies of Horror
Picture-Prompt Writing Challenge!

Latch, Lock & Chain
by Marge Simon
I follow the stream into the greenwood,
Old Dozer knows the way, I smile as he
veers off, going deeper into the foliage, where
a last burst of sunset falls on the brick hut,
.
the same I’d built alone decades ago,
crumbling now, the whitewash almost gone.
How pleased I’d been that day to add that sign,
“KEEP OUT”, now buried in a pile of leaves.
.
I should complete my mission before dark,
for the bastard’s sake, as he’ll be waiting.
At first at odds, I determine to convey
the truth, not guise it all in falsehoods.
.
“There’s been enough bad blood between us.
I’ll set you free, if you promise to forgive.”
From inside I hear a croak of assent.
But Dozer growls, looks at me. Whines.
.
“Mother hated you, she believed my lies.
The mine we co-owned is worthless,
I sold the deed to our land years ago,
and I killed that whore you fancied.”
.
The latch is rusted, but the lock still holds.
My key won’t work, I smash it with my torch.
With trembling hands, I free the chain.
Impossibly thin fingers claw around the door,
pushing it open a crack at a time …
.
Fiction © Copyright Marge Simon
Image courtesy of Pixabay.com
More from Marge Simon:

Victims
by
The title of this collection sets you up for the surprise of lyrical stories of victimizations with unexpected endings for the villains. Be ready to have your heart opened and cheer for perceived victims, human (made and unmade) and other life forms, victorious in the hands of these two award-winning poets. —Linda D. Addison, award-winning author, HWA Lifetime Achievement Award recipient and SFPA Grand Master.
Across histories and cultures and from Auschwitz to Babylon this book leaves you questioning who are the victims, and regardless of your conclusion you’re likely to get throat-punched. This is horror where everyone has a knife, and is ready to deliver this message: “Remember, you are always guilty. —Herb Kauderer, author of Fragments from the Book of the After-Dead.
Simon and Turzillo have only gone and startled me again. What a collection! Brutal. Beautiful. This quiver of poems strikes with the unflinching truth of persecution and oppression as seen through the lens of feminism. Prepare to come away bruised and yet strangely bolstered by Victims, a symphony of sadness orchestrated by two masters of dark poetry. —Lee Murray, Bram Stoker and Shirley Jackson Award-winner.
This is one of the braver dark poetry collections I’ve seen in a while. Horror poets generally employ victims in their work, but the focus is generally on the Evil. Turning the camera the other way is unusual, unsettling, emotionally risky, and surprisingly effective. From their stark opening take on Pygmalion, to the ending poem about the wasted life of Stateira of Persia, this powerful collection teases apart an impressive number of the threads of victimhood. Some are the usual cases, but quite a few are surprises, or reversals, or cases with unexpected layers. There is nothing repetitive about this collection. —Timons Esaias, winner of the Asimov’s Readers’ Award and the Winter Anthology Contest












Creepy and chilling, loved it.
So intriguing – I can sense a whole lifetime’s worth of unrequited spite here – and the conclusion will be dreadful.
Thank you, Alex. Yes, I leave it to the reader to imagine just how dreadful. We hope Dozer isn’t hurt.